Innovative Content Quotes

There are certain ways, narrative forms, that do not function as a continuation, for example, of 3D movies. You see, what is obvious to me is virtual reality or immersive 360 degrees virtual reality is not somehow a part of 3D movies, and it is not a new form of video games, it's neither, it is something completely new, something different, and nobody has come up yet with real convincing content.

The only way you survive on all these services is if you're groundbreaking. There's pressure to be groundbreaking, which is the greatest thing that's ever happened. It's a bizarre aspect of what's happened with all of these subscription services is everyone is trying to outdo each other by doing great things.

Maybe now it's time to take some chances on TV and push the boundaries with what I can do on television.

Netflix is like sitting at the cool kids' table. Netflix is amazing. We're the biggest fans of not only working there but of the company in general.

The writers led by Mike Scully are fantastic. And they're creating original stories that not only don't repeat what we've already done, they also don't repeat anything I've seen on television.

If anything, I was the definite edge of the spear into The Attitude Era, I believe, so it was way before its time, the stuff I was doing, and it kind of set the tone for what was to come.

If there is anybody who can give you a combination of quality and reasonable budget, innovative content and casting, it is me!

When we came out with 'Lazy Sunday,' the greatest compliment I heard was that Questlove had it on his iPod.

Making the 'Sulfur' video continued our quest to make a video different and visually stimulating.

I'm on record saying that HBO is the best television company in the world, and I believe they are. I think they absolutely understand how to make television that is really, really vital and interesting and visceral, and all the things that television really should be.

Our film industry as well as the audiences are now open to unconventional pairings and subjects, which has aided my journey greatly.

A message I've been telling myself: the cinema is very conservative, and unless you have a story that satisfies you, that is within the unchallenging zone, but you love it, you can't do it as cinema. Otherwise, you better go do it for television, which is more daring now.

Being on Netflix lets us be experimental. We can do crazy things.

The network is opening up some amazing possibilities for us to reinvent content, reinvent collaboration.

I feel, as a game maker, we are responsible to make content that stretch the ruling structure and emotions so that everyone can enjoy.

The kind of content I want to be part of is hardly made.

The big difference between us and other people who produce content is that we started doing this to make things that we wanted to make.

Non-studio entities can experiment with storytelling that might be too niche... for a studio.

Because I've worked with Netflix from the beginning, and that's my first job, I only want to work with creators, producers, and networks that are pushing the limit and putting people on the screen that haven't had their stories told yet.

I want to do more new-age content, look beyond conventional cinema.

We want to create content that our fans will like but at the same time stretches us creatively, with our own little touch.

To bring the 'Robb Report' onto the PMC digital platform is a remarkable opportunity to further propel this pioneering media brand.

Yeah, even a black comedy. Where it's a little eerie. I'd love to do that. But there are about three really fabulous ones on the air now and I don't know if I can do any better than that. I'd like to sort of forge new ground.

'Cinnamon Girl' is a game changer for our network and is exactly the type of show we want to deliver.

None of my movies have ever made any money, so it's not about commercial success for me. It's always the same thing. I want to create something valuable, something unusual and different that the world has never seen.