Digital Cameras Quotes

I don't really have a favorite camera. I use a Leica and Canon a lot. It depends, especially professionally, on the requirements. But my carry-around camera is a Leica.

By the way, today with digital cameras and editing on your laptop, and things like that, you can make a feature film, a narrative feature film easily for $10,000.

The film industry is moving towards digital technology.

I like digital cameras, because they enable you to reminisce immediately.

There are some elements of digital photography that I don't really like, such as the fact that you see the results immediately.

Small, portable digital cameras that exceed the performance of an off-the-shelf Nikon using 35mm slide film are further away from current reality than the proposed NASA manned Mars mission, although I expect both to happen sometime during my lifetime.

As far as digital technology has come, there's still one thing that digital cameras won't do: give you perfect color every time. In fact, if they gave us perfect color 50% of the time, that would be incredible, but unfortunately every digital camera (and every scanner that captures traditional photos) sneaks in some kind of color cast in your image. Generally, it's a red cast, but depending on the camera, it could be blue. Either way, you can be pretty sure-there's a cast.

In a way, digital cameras were like very early personal computers such as the Commodore 64 - clunky and able to do only a few things.

I was free always. I could work without the money, to film this and that. But this is another point, because now I'm alone, and I can just use it when I want. I think the digital cameras have changed my view. Even though sometimes, including the installations that I show, I mix 35mm filming and video handmade.

Computer photography won't be photography as we know it. I think photography will always be chemical.

The natural end of an era, as designers whose houses bear their names grow old and pass away, combined with the arrival of digital cameras and Internet exposure, has created a perfect storm.

Similar thing until today, with digital cameras you look after something like that as robust as they can be.

I'm still very grateful to digital cameras in general, but I didn't have this feeling with the RED one.

In Bosnia, there are no 35mm cameras. There are no film labs.

I have equal parts film and digital cameras in my collection. I think that there are ways to Photoshop photos so that they look like you shot them on film, but is that as rewarding? It just depends on the person.

Just remember, in 1973, we had no digital cameras, no personal computers, no Internet. The thought of putting a billion transistors in a cell phone was ludicrous.

Quantum physics forms the foundation of chemistry, explaining how molecules are held together. It describes how real solids and materials behave and how electricity is conducted through them... It enabled the development of transistors, integrated circuits, lasers, LEDs, digital cameras and all the modern gadgetry that surrounds us.

But the moment you use an ordinary camera, you are not seeing the picture, remember, meaning, you had to remember what you've taken. Now you could see it of course, with a digital thing, but remember in 1982 you couldn't.

The AP has only so many reporters, and CNN only has so many cameras, but we've got a world full of people with digital cameras and Internet access.

Technology has already opened the door a bit wider for filmmakers, with smaller digital cameras making production less cumbersome. Social media is allowing self-distribution, and girl groups like Spark Summit are leading the way in calling for fewer Photoshop image alterations of girls in print media.

Theres no such thing as Flickr Pro because today, with cameras as pervasive as they are, theres no such thing, really, as professional photographers when theres everything thats professional photographers. Certainly theres varying levels of skills but we didnt want to have a Flickr Pro anymore. We wanted everyone to have professional quality photo space and sharing.

There is no way I could have ever dared to make a documentary, much less have the money to make a documentary, if it was on 16mm. But, with the magic of digital.

A lot of the stuff in 'Speed Racer' has never been done before, from it having a multi-tone, to it having a retro-cool family movie, to having the photo-realism with the CG-backgrounds and infinite focus the way they worked with these digital cameras, to even the color experimentation.

I do believe that a film like Ten could never have been made with a 35mm camera. The first part of the film lasts 17 minutes, and by the end of that part, the kid has totally forgotten the camera.

Right now is a very interesting time because of the digital cameras, and the fact that you can edit anywhere. It's a great time to be a filmmaker, is a great time to be starting off.