David Hockney Quotes

Computer photography won't be photography as we know it. I think photography will always be chemical.

Cameras intrigued me.

As far as digital technology has come, there's still one thing that digital cameras won't do: give you perfect color every time. In fact, if they gave us perfect color 50% of the time, that would be incredible, but unfortunately every digital camera (and every scanner that captures traditional photos) sneaks in some kind of color cast in your image. Generally, it's a red cast, but depending on the camera, it could be blue. Either way, you can be pretty sure-there's a cast.

Light-field photography is a transformational technology that needs a transformational product to introduce it. For the first time, we have a light-field camera that's going to be for everyone - not something in a huge room in a research facility.

Digital imaging has untied our hands with regards to technical limitations. We no longer have to be arbiters of technology; we get to participate in the interpretation of technology into creative content.

I go and see anything that's visually new, any technology that's about picture-making. The technology won't make the pictures different, but someone using it will.

Digital imaging allows both groups to rise above the limitations of mess and clutter and mechanics, and apply our talents to creating images limited only by our imaginations.

How do you photograph data?

Stereograph

The camera seems to me, next to unassisted and weaponless consciousness, the central instrument of our time.

Similar thing until today, with digital cameras you look after something like that as robust as they can be.

I'm still very grateful to digital cameras in general, but I didn't have this feeling with the RED one.

No one ever questions where all these pictures in magazines and books come from.

I used to touch up my pictures on the computer and send them to friends. I would change colours, the design, and stuff like that.

In virtual reality, we're placing the viewer inside a moment or a story... made possible by sound and visual technology that's actually tricking the brain into believing it's somewhere else.

I see through my eyes; the camera is just a machine to record it for me.

I think, culturally, stories are important, whether it be cinema, whether it be by word of mouth - which I don't even know if we do anymore, as it all seems to be social media.

In my childhood I was obsessed with cameras but could not afford one. After much persuasion my father Harivansh Rai Bachchan bought me a box camera which I treasured for years. Initially I clicked trees and nature and as I grew up started noticing prettier things-motorbike, sleek cars and cool girls. But the hamartia of life is when you desire something you cannot afford it and when you are able to afford it you are too old to use it. Now I don't need all gadgets but it's satisfying to know that at least I can afford them.

The camera is just a machine, which records with impressive and as a rule very cruel faithfulness.

Right now is a very interesting time because of the digital cameras, and the fact that you can edit anywhere. It's a great time to be a filmmaker, is a great time to be starting off.

This is all you need in life: a computer, a camera, and a cat.

I just got this new camera. It's very advanced - you don't even need it.

The one thing with 3D presentations is I think that 3D itself, whether it's 24 or 48, is at a very interesting point in time.

Let's face it, the human eye is clumsy, sloppy, and unintelligible when compared to the camera's eye.

Television is completely another medium.