Colour Mixing Quotes

Water colours are wet colours in water.

There are not more than five primary colours, yet in combination they produce more hues than can ever been seen.

You've always got to have the right blend of colour. You'd be silly to match a yellow t-shirt with a light green pair of trousers, you know? You can wear different colours at the same time, and as long as they blend with each other then it works. That's what I like.

The first colour charts were unsystematic. They were based directly on commercial colour samples. They were still related to Pop Art. In the canvases that followed, the colours were chosen arbitrarily and drawn by chance. Then, 180 tones were mixed according to a given system and drawn by chance to make four variations of 180 tones. But after that the number 180 seemed too arbitrary to me, so I developed a system based on a number of rigorously defined tones and proportions.

From what has been said it is also evident, that the Whiteness of the Sun's Light is compounded all the Colours wherewith the several sorts of Rays whereof that Light consists, when by their several Refrangibilities they are separated from one another, do tinge Paper or any other white Body whereon they fall. For those Colours ... are unchangeable, and whenever all those Rays with those their Colours are mix'd again, they reproduce the same white Light as before.

I use a wide selection of colours. It is impossible to produce work like mine using only the primary colours as they only mix a certain range of colour.

People get nervous accessorising, but there is nothing wrong with adding a belt or a pair of shoes in another colour.

The habit of breaking up one's colour to make it brilliant dates from further back than Impressionism - Couture advocates it in a little book called 'Causeries d'Atelier' written about 1860 - it is part of the technique of Impressionism but used for quite a different reason.

I do quite a lot of art, with a small 'a'. I guess that is how I was dredged up, with paints and crayons. Even when I was at nursery, I knew instinctively how to mix colours, how to make purple or orange.

I never had the time or luxury to think about inventing my own colour theory. When colour came, I was interested in expressing things that happened around me in time.

In the studio, we adhere to a strict colour code. Developed over decades, the colour code consists of a finite and precise colour palate... The whole world as we experience it comes to us through the mystic realm of colour.

Londoners always seem to be fearless and more willing to have fun with their look. New Yorkers tend to play it safer - sticking with neutrals and black. In London, people aren't afraid to mix patterns and colours.