RENE BURRI

I suddenly had to chase after my pictures... Pictures are like taxis during rush hour - if you're not fast enough, someone else will get there first.

The camera has always been a magic wand for me, giving me access to places where I could try new experiments.

I witnessed the building of the Space Shuttle Columbia, the first orbiter to be launched into space.

I lived and grew up in the black and white period of photojournalism.

Looking back, I didn't have the patience to work in fashion. I like women so much, but I was never qualified to torture them in photo shoots. You have to be really tough and brutal.

On digital photography: It's fantastic, but it's not a freebie for anything. You still have to have this (he points to his eyes), and this (points to his heart), and feet.

A photograph is a moment - when you press the button, it will never come back.

Everyone takes pictures, so you need to have your own opinion.

I grew up in Switzerland, in this kind of rigidity. It was Protestant, and I was rather shy. That influenced me a lot.

One of these days, I'm going to publish a book of all the pictures I did not take.

If you are truly successful in capturing the pulse of life, then you can speak of a good photograph.

It took me six years to get close to Picasso. I learnt a lot from him, and he was an absolute genius. He almost became my grandfather at the time. It was like he was a magician or something.

What counts is putting the intensity that you yourself have experienced into the picture. Otherwise it is just a document.

I grew up in Switzerland, in this kind of rigidity. It was Protestant, and I was rather shy. That influenced me a lot.

Looking back, I didn't have the patience to work in fashion. I like women so much, but I was never qualified to torture them in photo shoots. You have to be really tough and brutal.

A photograph is a moment - when you press the button, it will never come back.

The camera has always been a magic wand for me, giving me access to places where I could try new experiments.

My photography is the result of being there at the right moment.

I lived and grew up in the black and white period of photojournalism.

For me, Picasso was the ultimate man. He taught me that photography is all about how you approach an image: what you do and what you don't do. He inspired me to go beyond what you think is in front of you.

One of these days, I'm going to publish a book of all the pictures I did not take. It is going to be a huge hit.

I suddenly had to chase after my pictures... Pictures are like taxis during rush hour - if you're not fast enough, someone else will get there first.

I witnessed the building of the Space Shuttle Columbia, the first orbiter to be launched into space.

I think that's the strength of photography - to decide the decisive moment, to click in the moment to come up with a picture that never comes back again.

I never had the time or luxury to think about inventing my own colour theory. When colour came, I was interested in expressing things that happened around me in time.

In 1958, a year before the revolution, Magnum wanted to send me to Cuba because they had contacts with the rebels. I'd just spent six months in South America and said 'No', so I missed everything.

Everyone takes pictures, so you need to have your own opinion.

I never thought I would become a photographer.

To some extent, the cult surrounding black-and-white photography is based on nostalgia.

A digital camera has to be kept in check like a racehorse.

On digital photography: It's fantastic, but it's not a freebie for anything. You still have to have this (he points to his eyes), and this (points to his heart), and feet.

One of these days, I'm going to publish a book of all the pictures I did not take.