Cd Sales Quotes

I just want to thank all my fans for their loyalty and support-for coming out to the shows and buying the CDs.

If you want to put out a million CDs and sell them and get them played on the radio, and even videos, or whatever, if that still exists, that kind of muscle can only come from a label like Columbia.

I've probably bought ten CDs in my whole life.

I have lots of CDs that came out at one time or another, and according to the statements I've gotten, no one's buying them.I figured there's no need making a new CD. There are plenty of mine out there, and none of them are selling.

For the most part, rock fans don't go and buy CDs any more, very rarely. It's pretty much about downloads and streaming.

There's still value in a CD, even if it's just nostalgic. People are still willing to pay. But it can't compare to a digital-only release where you can control the exact time that it'll come out, you know what I mean? So whoever finds how to bridge that gap is gonna make a lot of money.

Look at music for what it's worth around the world and not just America. In other countries, people are still buying CDs and going to record stores. But in America, it's all about digital. The game is breaking down. But, look at me, you need to know how to play the game the right way.

The only way I could get my old CD into stores is if I took one in and leave it. "Sir, you forgot this." "No, I did not. That is for sale. Please alphabetize it."

You can't take up all the music bins at a CD retail outlet with Spice Girls CDs and leave nothing for the Joan Jett catalogue.

It's important for country fans to know that I'm not just trying to come in and take their money for a CD.

The internet has been incredible in regards to the selling of my CD. I don't know how it's affected or will affect my acting career.

Every project might only sell like 30 to 50,000, but I mean, I'm getting seven, eight dollars every CD. I make more money per record than an artist on a major label - I can definitely say that.

In a typical day, I would wake up about 8 A.M., pile all my stuff into my mom's minivan - my guitar, my amp, CDs to sell, a table and a rug - drive it down to the street, and unload it all. I'd wait until about 12, then play for two hours. You could only play in two-hour intervals, so then I would move it all somewhere else.

When I'm on the road with concerts, people ask me to autograph my CDs, but more and more they come up with the cookbooks.

Someone has to really like you to go out there and physically get your CD. Shout out to everybody who actually paid for the CD. A lot of people don't realize that's how we live, that's our job. When we people take music from us, that's just like taking food off of our table and it's not cool. It's a lot of blood, sweat and tears that goes into the music and those lyrics. To have people just go and steal it, it doesn't feel well.

We have awesome and loyal fans. They'll buy our CD, then buy three more copies for their friends.

The biggest deal for me was that all 24 winners are placed on the Billboard CD of the Year, which went out to 500 of the biggest Music Reps in the business, from radio and press to management and booking.

We sold 1.5 million copies of the 'Abracadabra' album and 26,000 copies of 'Italian X-Rays.'

I'm not trying to make a speech on CD because who wants to buy that?

If a kid goes and buys a CD at Best Buy, we have no idea who the person is, how many times they listen to it, or anything like that.

I'm not going to be the guy who sold the last CD.

The fan base that I've had all these years has come along. Some of them are not as plugged into the digital world, so they want to go out and buy the CD at Walmart or something.

In my late teens and early 20s, I started selling mix CDs on the street.

With iTunes and Spotify and Pandora and this and that, you don't need to buy CDs any more.