Black Art Quotes

The art of publicity is a black art.

There was a manifesto in the late '60s/early '70s, and it basically laid out what 'black art' was and that it should embrace black history and black culture. There were all these rules - I was shocked, when I found it in a book, that it even existed, that it would demarcate these artists.

I just always feel that any black art should address our perpetual struggle for progress and freedom, period. There's no way around it. The thing is you can never predict what the next injustice is going to be. Unfortunately, it's part of being black and conscious in America.

My theory is that nine times out of ten, if there's a depression, more a social depression than anything, it brings out the best art in black people. The best example is, Reagan and Bush gave us the best years of hiphop.

With the advance of knowledge, therefore, prayer and sacrifice assume the leading place in religious ritual; and magic; which once ranked with them as a legitimate equal, is gradually relegated to the background and sinks to the level of a black art.

We talk too much of black art when we should be talking about art, just art. Black composers must be free to write rondos and fugues, not only protest songs.

I really liked 'Blk Girl Art.' It's like a manifesto saying why I create, whether it's poetry or music.

The art of publicity is a black art; but it has come to stay, and every year adds to its potency.

I know now it's a hashtag and people have various feelings about it, but really if you look at all black art, even in hip-hop, it's all about that I exist and these are my feelings and this is what I feel about the world. It's always been an undercurrent.

The impact of black music and black art forms on American culture is really difficult to appreciate.

I am a black new wave artist.

So I feel now very much like a guardian. I'm standing in front of art. I'm standing in front of cinema. I'm standing in front of Black culture. I'm standing in front of the history of America, and I'm protecting it by making art, by protecting our art, and by promoting our art.

There isn't only one way that black art or entertainment is represented, and that's the most important thing. We're permeating every style. We're claiming and, when necessary, appropriating all kinds of forms. Nothing is forbidden, because it's not what black people do: because it's not what we think of as black art.

As an artist I would like to eliminate the symbolic pretty much, for black is interesting not as a color but as a non-color and as the absence of color.

Without going outside his race, and even among the better classes with their 'white' culture and conscious American manners, but still Negro enough to be different, there is sufficient matter to furnish a black artist with a lifetime of creative work.

All black art is always judged to illuminate our experience and prove that our stories and our history and our lives matter. And that goes back to Ralph Ellison, James Baldwin, Langston Hughes, Zora Neale Hurston - take your pick.

Besides black art, there is only automation and mechanization.

When I was growing up and going to art school and learning about African-American art, much of it was a type of political art that was very didactic and based on the '60s, and a social collective.

Is there such a thing as black art? Or are there just artists who are black?

If you think about black art, all black art, whether it's Invisible Man or whether it's James Baldwin, Langston Hughes, Zora Hurston, or Richard Wright, they all deal with elements of identity and trying to humanize our experience and our struggle in the world where people have been indifferent to who we are and what we are. It's basically just saying that our lives have meaning.

My first black-on-black picture was 'The Portrait of an Artist as a Shadow of His Former Self.' I started using it as an emblem of this undercurrent of wickedness, malevolence, and irony - all of that.

I'm painting the paintings that I want to see in museums. And I'm hopefully presenting them in a way that's universal enough that they become representative of something different than just a black body on a canvas.