Artie Lange Quotes

Mainly, I don't like it when music is made solely to impress people or in order to please business people; it doesn't sound good to me. If you're making music in order to become famous or loved by the masses... that's not what I'm about. When somebody's making music for the wrong reasons, I hear it right away.

In the whole course of our work at the theatre we have been, I may say, drenched with advice by friendly people who for years gave us the reasons why we did not succeed... All their advice, or at least some of it, might have been good if we had wanted to make money, to make a common place of amusement.

I always appreciate people's opinions, but sometimes I have to take a step back and remember why I'm writing and what I want to do with it. Shutting out the voices is difficult but it's been good for me.

It's good not only to realize that you can't please all of the people all of the time, but that you don't want to. There's a certain type of reader that you don't ever want to write for.

I have no idea why one of our most original filmmakers would want to spend two years of his life translating someone else's movie from Spanish into English. And it wasn't such a good film in Spanish, either.

I don't do a comic book thinking there is a movie. I just want it to be as good a comic book as it can be.

My purpose is to make a movie to make you warm. To give you some heat. Now, this rational world has become a place where only what is cool is good. Do you cut the movie on the basis of the beat of modernity or the basis of the beat of your own heart?

I believe in rules. I believe in artistic limitations, and I always have. I've always thought that setting out a set of rules before you start, and then being completely consistent with them, is the only way to make a really good film.

The notion of making money by popular work, and then retiring to do good work, is the most familiar of all the devil's traps for artists.

I just want to do good material. If I'm right for it, and it connects with me, and the material is good, I'm not going to say 'I'm just going to do this' or 'I have to do one of everything.' I'm not thinking like that.

I made some good pictures, and I made some bad ones. I wasn't trying to build an image, though; I was trying to build a life for myself.

You do small movies because the script is good and because you believe in the director. You don't care about the money. And when they disappear, it's a pity.

I'm just going to write my books and do my work and release it. Let the world decide what it is, and if it's any good or not.

When I sit down to write, I don't think, 'OK, what is the next David O. Russell film I can write, or what is Harvey Weinstein going to want to buy?' Or even, 'What are filmgoers going to want.' I try to think, tell a good story. Just do what you do.

I believe as musicians and artists we have an obligation to our souls. What that is? Only each one of us knows. I can speak for myself and say my obligation is to be happy. When I'm happy, I make great music. When I'm unhappy and my heart is broken, I may make brokenhearted music, but it still sounds good.

I think the good thing about Macklemore is that he is very precise about what he gets involved in. As you can tell, he's very passionate about what he puts his name on, because he talks about things people don't usually talk about, and his concepts are very, very passionate.

To be a good artist, you have to serve the work of art and allow it to be what it is supposed to be.

I try to be a good representative for country music. But as a country artist, it's important to move the needle and make a difference beyond your core audience. But you can't ever strategically try to accomplish that; then things get weird.

Being able to make work - if it's on your terms, and it's a good fit with the people who are supporting it - can be a very interesting exercise. When it doesn't work is when an artist just connects with a brand, and they try to take advantage of each other.

I became a loner. I became a mountain man. A lot of those things are very good qualities and they help you do your work, help you be singular and keep the artistic integrity of your work intact, but they don't make it very easy to live your life.

I don't feel that as an artist my job is to offer PR propaganda, whether for the good or for the bad.

All I can do is make good music and make it for the fans, not for anybody else.

You can have information and ease of use and have artistic integrity at the same time. The art of being a good Web designer is getting yourself into that middle ground and treating it as a final destination instead of as a compromise.

I don't read critics, and I don't care what they say. You can't let them steal your soul. You do what the director and production is committed to doing. I just think it's terrible that critics have the power to keep people away from a good production.

If it's a good work of adaptation, the book should remain a book and the film should remain a film, and you should not necessarily read the book to see the film. If you do need that, then that means that it's a failure. That is what I think.