I think a lot of the intention of bands, especially in the last year, is to spread themselves out geographically and borrow from different cultures and different sounds, and to be eclectic. And that's great in terms of dynamics, but it also tends to not have that torpedo and fire running through it. If you're spreading yourself out across the globe, you're also not emphasizing a singular point, which I think great rock music has always done.
Painters are not in any way unsociable through pride, but either because they find few pursuits equal to painting, or in order not to corrupt themselves with the useless conversation of idle people, and debase the intellect from the lofty imaginations in which they are always absorbed.
When I’m behind a camera I forget I exist.
When I can focus on something like guitar or painting, I do. I started painting people I admire, like Kerouac, Bob Dylan, Nelson Algren, Marlon Brando, Patti Smith, my girl, my kids.
Over the years I've never written or made movies about political themes 'cause while they do have current critical importance, in the large, large scheme of things, only the big questions matter and the answers to those big questions are very, very depressing.
I could care less about the particular. I like to make music.
My advice to young people wanting to make music and to be in this industry is to really spend your time making music. Make so much music you have no friends. Make music. Figure out what it is you love, and... because if you're making cool art, then everything else will fall into line.
I've accomplished enough with the music that I haven't had to go out there and do other things to over-saturate.
I never think about myself as an artist working in this time. I think about it in macro.
I love when people are coming up and they're working hard and you can see that they're really focused on the process to their music. I really dig that. As a musician, it's nice to see people who really care about the process.
I used to do everything to keep a wall up around myself and keep my life quiet so that I could write.
A tendency to focus on art over business has meant that too many designers have failed to make the most of their critical acclaim.
My journals were a clearing house - a garbage can. Once I was writing seriously, I understood that this was the stuff that didn't belong in my work.
I rather create better music and let that talk, than me going out and dissing other musicians in public.
Put out great music, and that's that.
In truth, factual information - names or dates - have never interested me much. Those things are like an alien language that can interfere with the language of the painting, or even prevent its emergence.
It's always been about making music. I've never gotten caught up with the trappings. You can't get caught up in the limousines and the chicks. The most important thing is the music.
In terms of 'Solaris,' I didn't really think about the religious aspect an awful lot. There's one scene at a dinner party, and it's discussed, but it wasn't an overwhelming theme for me.
I'm more focused on making a scene seem real as opposed to perfect.
I have no interest in being famous. I just want to make famous photographs.
I like the detail work of telling a story in small pieces, as is done in movie-making, and also the long leap of faith needed to see a theatre performance through each night. Both require focus and self-discipline.
People say I pay too much attention to the look of a movie but for God's sake, I'm not producing a Radio 4 Play for Today, I'm making a movie that people are going to look at.
Actors should ACT. Not sell perfume, or write cookbooks.
I don't know that any writing comes easily, but I certainly get more immersed in novels. I don't think the routine is any different, but fiction tends to pull me further away from my life. When I'm deep in a novel, I don't pay bills and I walk around in one shoe, drinking two-day old coffee, and calling my kids by the wrong names.
I think there's a misconception of my wanting to do dark stuff.
