ALFRED SISLEY

I like all those painters who loved and had a strong feeling for nature.

I always start a painting with the sky.

The motif must always be set down in a simple way, easily grasped and understood by the beholder. By the elimination of superfluous detail, the spectator should be led along the road that the artist indicates to him, and from the first be made to notice what the artist has felt.

The animation of the canvas is one of the hardest problems of painting.

To mention only contemporaries, Delacroix, Corot, Millet, Rousseau, Courbet are masters. And finally [I like] all those [painters] who loved and had a strong feeling for nature.

Though the artist must remain master of his craft, the surface, at times raised to the highest pitch of loveliness, should transmit to the beholder the sensation which possessed the artist.

Every picture shows a spot with which the artist has fallen in love.

The animation of the canvas is one of the hardest problems of painting.

I always start a painting with the sky.

Though the artist must remain master of his craft, the surface, at times raised to the highest pitch of loveliness, should transmit to the beholder the sensation which possessed the artist.

I like all those painters who loved and had a strong feeling for nature.

Every picture shows a spot with which the artist has fallen in love.

To mention only contemporaries, Delacroix, Corot, Millet, Rousseau, Courbet are masters. And finally [I like] all those [painters] who loved and had a strong feeling for nature.

The motif must always be set down in a simple way, easily grasped and understood by the beholder. By the elimination of superfluous detail, the spectator should be led along the road that the artist indicates to him, and from the first be made to notice what the artist has felt.