John Krasinski Quotes

If the film is good, it will work whether it has a star or no star.

The best and most talented directors - and I think it goes for people too - are the most confident in giving room to their actors and trusting them.

I think I'm happiest when there are really talented people around.

I wasn't really quite sure where Heath Ledger came from, and I think that's the feeling most people got when they were around him and why he was so extraordinary.

I think a lot of what you do depends on the other people in the cast. It doesn't only depend on you the actor, but it depends on a variety of things, what the other actors are like.

I think that certain directors are better at choosing actors that match well with each other. And I have feelings about actors and who I think I'd work well with better moreso than others.

Honestly, it's a blessing. Benny's [Blanco] probably one of the most talented people I know. He's just a very proactive guy when it comes to music and is just very creative. I think because of that, it makes it very easy to work with him.

I was lucky to have been there with some great people. I think I learned the most from the people around me. Just when you get talented people there, like the people who you talk to. And it spurs you on.

You don't try any less hard on the ones that don't. I've gotten lucky to work with some amazingly talented people that have helped the ones that have worked work. I think you just have to keep doing the stories you love and the characters that you love and are drawn to.

I think the mark of a good director is that they surround themselves with good people.

I think I was just so ecstatic that I was working, and then as it went on, you know, I started to really appreciate that it ["Freaks and Geeks"] was good and that we were doing something a little different and that, you know, everyone was really cool to work with and that it was really talented group of people, and it was just when I was realizing that, that it got canceled.

I hope I never have to stop acting. I love it. But, I think the coolest thing about acting is working with these amazing people all the time, and writing represented a new way to meet those people and to tell stories, at the same time, which I've always wanted to do, and to tell jokes. I love comedy, so writing was a way of getting these jokes that I had down on the page.

I feel Icelandic people are really good at gathering together information and brain power. We're better at that than some kind of Las Vegas money gambling. I mean, I really admire the characteristics in Icelandics, this adventureism. We are famous for it. We are addicted to risk to the point of being foolhardy. And I think that is great in brain power stuff.

I think the most important thing is discovering an idea that moves you, and then letting people who are moved by that idea find each other, and work together. A lot of times people focus on the technical side-"oh, I've got to take a class on non-profit development." Too few people allow themselves to think outside the box with regard to their issue areas.

We have to know cognitively what another mind is thinking and also empathically what they're feeling. And of course, in general, that's always the case, but it's often very generic. Like with Leo Cullum's doctor, it's just the fact that people in general are cruel and insensitive. But in the Barbara Smaller cartoon, we understand it's this particular person or this specific sub-class of person and her particular needs and desires, and that's different than a pun cartoon in which it's just semantic.

I, myself, have killed six people. All random, all undetected, no way to trace them to me. And, let me tell you, there's nothin' like it. It's a great feeling. Yeah, I know, you're thinking. 'Aw, he's a comedian. He's just sayin' that stuff.' Good. That's exactly what I want you to think.

If you want a film and they don't want you, sometimes you have to go fight for it. Sometimes that ends up just being a meeting really, just sitting down with them and just saying here is my vision for it and here is why I really love it. But for the most part, I think filmmakers gravitate towards people that are excited - as excited as they are about the film and as passionate about it. So sometimes going after it isn't so much a function of auditioning as it is just sitting down with the filmmaker.

I never thought about being the first black actor to win, even though everybody else talked about that. If I stop to think as a black actor, people will see me differently. If I play as a black actor, people will only see that. I think my key was to perform as an actor, not as a black actor. And after winning the Cesar, I was an actor with a Cesar. there are many more adjectives to describe who I am. I'm not only black.

I think that music is still a mystery to most people. It kind of goes through most people without a specific thought. They feel the music, which is what's supposed to happen. They're not supposed to be curious about who wrote the music; they're supposed to feel what the show is trying to get them to feel. So if I help get that feeling across, that's good enough for me.

Moment to moment, I'm very much just feeling and trying to synthesize what I'm taking in so it can come out musically. I'll continue to do that. I'm also someone who really likes to push themselves into new situations with new people and try to learn from them. I will be very happy to continue doing that, if people let me.

I think [John Larroquette] did a great job. I really do. And he's so wonderful and generous to work with.

When you work with new people, I think that it throws all of the matters into relief, because you have to explain yourself every time. It's like crossing a new border. They want to see your documents.

When you work on a movie or a TV show, you're a family, so if something that's a two-minute thing in the movie is causing a rift in the family, you also have to think about at what point do you fight this, and at what point is this rift worth having in this very small, very tight group of people who are just there to make something great and funny.

I'm interested in what happens to music when other people use it. Whereas there are composers who don't like anyone to touch their music, I think people should because they do things I can't think of.

I like working with family and friends and people I admire. All my movies are filled with family members of some capacity. I think it means more when you have a personal relationship with someone.