Raphael Bob-Waksberg Quotes

Netflix has always had this interesting ability to get non-mainstream content to be watched by the mainstream.

Adult Swim has cornered this really cool market, especially for comedy shows.

I've been a fan of 'High Maintenance' since it was on Vimeo. My husband and I were obsessed with it. It's one of the best things ever made, period. It's a completely unique perspective.

It was always clear to me that I would have to earn my readers, some I would have to find, some to create.

An audience is not brought to you or given to you; it's something that you fight for.

It's funny because 'Felicity' didn't have a huge following, but the following it did have is hugely devoted, so people who are fanatics about 'Felicity' would run up to me all the time. I'd be at a bar, and someone will go, 'Hey, were you on Felicity? ...' I loved doing the show.

I think in order to find your audience and let them get to know you, you have to introduce yourself a little at a time.

The satellite and digital space is where the audience for 'Cabaret' lies: a discerning lot who don't rush to the cinema hall on the first day, first show, and prefer instead to consume their entertainment at their time and comfort.

Emmerdale' is and always will be in my DNA.

There's a widening of an idea of what a TV show can be or how it can be told, and that's partially in the diversity of the creators and the stories. Because there are so many new networks and streaming services popping up every day that need more content, there are more opportunities to take risks.

I feel like - like Netflix is great if you've got a project ready to launch itself into the world rapidly.

It's not about creating something that eight billion people would like. It's about creating something and being able to reach the maybe, like, one million people that would like it a lot.

'All That' was fire but I don't really remember a lot of episodes.

I still get a lot of people coming up to me and recognizing me as Nunez, because 'Community' fans are really hardcore.

'Pretty Little Liars,' you know, it's a teen show that grew to be something bigger. I think you had girls from ages 7 to, like, 20 watching the show, and that was the predominant audience. Then it grew to be for girls, boys, men, women, people who are 7 to 35. I think that's crazy.

I'd rather have a smaller following of really cool people who get it, who will grow with us as we grow and are fans for life, than people that have us in their five-disc changer with Reba McEntire and Toby Keith.

Of course I have been watching 'Derry Girls!' Series, link and record! Everything shuts down when it is on the TV. I'm like 'Nobody speak.'

'The O.C.' was very challenging.

I really like streaming services. It's a great way for people to find your music.

You basically do have a TV show when you're making stuff online. You have an audience that you make stuff for regularly.

In my opinion, NXT has a niche audience.

It was an honour to be a part of that series. I still get fan mail every day for that show; a big portion of my fan base is from 'Gilmore Girls.'

We are committed to getting our content to our audience in as many ways as possible. We are very excited about our partnerships.. and we relaunched our ABC app, which is going to be a great place and opportunity for our audience to find our shows in addition to throwback content and new ABC digital originals.

The caustic style of 'Archer' was really on my mind when I was first doing 'BoJack' - perhaps too much!

Going back to 'The 100' is something I definitely wanted to do because the show is so great, and I'm so grateful to be part of it.