Streaming Platforms Quotes

I am a YouTube artist.

The generation who will watch 'Not Safe For Work', my generation, don't care who plays a part.

Back 20 years ago, there was a division between movie actors and TV actors. That's kind of gone away. People who have had a lot of success in movies in the past now want to be on TV. There used to be much more of a quality division between TV and movies, and that's kind of not the case anymore.

Netflix, Amazon, iTunes - whatever platforms emerge - we are looking at as having the same potential that home video had for the movie business. Which means there are entirely new opportunities to monetize our capital investment in content and do so in ways that work for distributors, for consumers and for creators.

Everything will be seen on your computer or BlackBerry or whatever devices we will be seeing in the future. Comedians will put their content on whatever server and send it to you specifically. We may even lose the live performance.

The other great innovation are things like Transparent or One Mississippi on Amazon, Master of None on Netflix, and those half-hours. It's a lot easier to watch a load of those because it's far more palatable to go, "You know, I'm just going to do one more of these."

Now it's hard to pick up any copy of 'Wired' that doesn't mention YouTube.

Digitization has altered the nature of the film industry. Social media, especially, has become a decisive factor in determining a film's box office success.

For documentaries, I think streaming plays an amazing role, but it's a problem when the one service you initially relied on to have an incredible buffet - 'Come and see a lot of world cinema, and the lives of ordinary people as well' - all of a sudden is narrowed down until it's just gladiator after gladiator - and bloodlust.

I started a YouTube channel called Days of Dre. There's a lot of content on there.

I was surprised to know I had so many hits on YouTube.

Customer freedom! Don't dictate how I want to watch my TV!

We don't have cable, so I don't watch a lot of traditional TV. I watch a lot of Netflix, and there's this thing in Canada called Show Me, and then I also get things from iTunes.

'Prison Break' on Netflix has generated a whole new generation of viewers.

My kids watch everything downloaded; they have no idea what the numbers or the names of the channels mean, except, 'FX makes the show that I see on my computer.' So it's harder to get a show on the air, but at the same time, there are a lot of terrific shows.

Web series are the future.

I really believe in finding new ways to distribute my music.

I don't get tons of scripts to be looking at and deciding on in terms of feature films; the industry has changed. Fortunately, with television and streaming and original series online, there's this whole new thing that has opened up, which I think is fantastic.

I imagine if Spotify becomes something that people are willing to pay for, then I'm sure iTunes will just create their own service, and they're actually fair to artists.

I think 'Party Down' found its audience primarily on Netflix and stuff like that, and primarily after it had been cancelled.

I really like streaming services. It's a great way for people to find your music.

I remember when I made 'A Scanner Darkly,' going, 'I hope people see it in theater - but I think it's going to be seen in someone's room at two in the morning.' It's that kind of movie. And I would have loved if it had been available on multiple formats at the moment it opened.

Netflix and Hulu are just extensions of television that live on the Web.

I am thrilled to be on a Marvel Netflix show. I'm excited that we're getting to watch this kind of content... It's groundbreaking.

Television is really fertile ground, and it's because of platforms like Netflix and Hulu and, of course, the cable channels like HBO and Showtime.