Eva LaRue Quotes

People always ask why I stay in the online space versus going to TV or film, like most people would do, and the answer is that there's opportunity for innovation online - not only innovation in storytelling, but also innovation in how you interact with your audience and that is very fulfilling to me personally.

You can be in Ohio and shoot your own web series, if you want. If this had been around when I was in high school, I can guarantee you that my friends and I would have been shooting our own television shows and putting them online and trying to get as many hits as possible.

I find podcasting an enticing space.

Because storytelling, and visual storytelling, was put in the hands of everybody, and we have all now become storytellers.

It's like everybody is shooting something, and everybody's a filmmaker; everybody can shoot a cat video and post it. So the big thing now is - for people that have talent and have something to say, and are creative, and are capable of making something good - is how do they get attention to it?

But if you have a point of view and you're an artist or a writer, it's kind of crazy to not take advantage of that, especially if you can do something that's entertaining as well. I've done a number of things like that over the years.

We don't perceive a contradiction between writing books, making films or producing a television program. These days you can't choose how you want to express yourself anymore.

Yahoo! has clearly established itself as the go-to destination for big events and breaking news, and we are focused on providing the best digital canvas for the world's greatest storytellers to create, develop and showcase their visions.

Online publication is fine with me, in part because I hope to collect those stories later.

I think the advent of things like YouTube have made it possible for creators to tell stories cheaply and efficiently and to have a built-in audience.

I believe that a web series allows actors the freedom to express their views.

In television, we are fortunate because we get to try a lot of things; we get to take a lot of shots. It gives us a great opportunity to tell many different stories from diverse points of view.

After our successes on 'H+,' I'm thrilled to be returning to another digital endeavor with Bryan Singer, Jason Taylor, and the entire Bad Hat Harry team. We're excited to be building the foundations of our world with Rockzeline and Blackpills.

I think that the instinct that people have when they see a beautifully produced web series is that they think it must have been made for television and they just chopped it up and put it online.

Web series are a way forward. It is a space where creative minds can express themselves without the fear of censor board.

As someone who started in the digital background, it's an easier, better, faster platform to bounce off of. You already have so much momentum, and you already have the experience. You're already comfortable being in front of the camera.

The web offers a creative climate that filmmakers have been craving for.

There are so many ways to make a book or comic, but most involve doing something online.

When we started out doing YouTube videos, I think we were very, very early on in terms of people doing a behind-the-scenes component.

Most smart companies should make themselves media companies. That means they put out their own information.

I want to tell Miranda's story more broadly than what I have been in these five-minute videos on the Internet. She can live in a longer format.

A lot of people produce podcasts in which they simply ramble on for hours about themselves and their lives. There is something very poignant about the volume of human desire to be heard out there in the Wild West of podcasts.

We found the appetite for 'Frontline' has only grown as the digital landscape has exploded. The appetite for the reporting we do on our digital platforms to the short films we're doing for our Facebook and YouTube channels. And we're still producing these remarkable long-form films.

You basically do have a TV show when you're making stuff online. You have an audience that you make stuff for regularly.

The digital world is one that has sort of a unique characteristic, where it's a place in which it's very easy for the value of content to fall.