Tyler Perry Quotes

The thing about hip-hop producers, and the thing about hip-hop musicians, is that we listen to everything. And we're inspired by everything. I'd say even more so than any other genre of music.

I don't know why people have to categorize things in music under music. It's music and it's music and it's music. When you start putting genres on things, I think it's completely ridiculous, and I hate that.

I liked experimenting with a lot of different styles. So, it always saddens me when I see young people, or even older people for that matter, who are limited to one specific type of music. They don't really allow themselves to experience so many types of music out there that are so wonderful to listen to. And there's good parts and bad parts, I guess, to all of them.

I think people are largely proud of being musically on the risk. Any time you talk to someone about music, I feel like everyone is kind of always underlining just, you know, how voracious their appetites for various things are.

I just want to do as many different genres as I can. I think that's part of it... to not get pigeon-holed because if one of them breaks out and becomes a big hit then typically people want to keep putting you in that kind of role.

I'm really into everything. Something I've been asked throughout the years I've done the show is, "What kind of music are you into?" I find that to be a bizarre question, because it implies there are people out there that are only into one specific kind of music. But I think I, like most people, enjoy a wide variety of music.

You have to engage with people who are different from you and try to work with their thinking and their mind. That's a real challenge.

What makes people and companies and artistic directors and choreographers interested in working with dancers is the ability to kind of let go of everything you think you know and be a blank canvas.

I think there's definitely much more opportunities for women now to find a role in 30s and 40s both. I think you're starting to find people really seeing that - here's the thing. It's hard for me to say and know the experience how it was ten, twenty years ago because I was only in my teens and my 20s, but I know from watching TV myself and watching film myself I see a lot more 30s and 40s on screen, which just makes me very, very happy. It's what we should be watching.

I found that most people don't really want to know the truth. There are plenty of people who want to know the truth on their terms or require that the truth be contained within certain boundaries of comfort. But truth can never be known this way. You have to seek truth from a place of not knowing, and that can be a very threatening place because we think we already know the truth or we are afraid of what the truth might be.

A good song to one person could just be something mediocre to somebody else. It's always strange thinking about how songs connect with people.

You have to have a balance, and I think that people get upset about Hip-Hop and say that it's dead because there is no balance. It's just all this simple-minded music, and it doesn't seem to be any content, and the dance club music outnumbers the little content there is.

When you get that opportunity to be honest and open with somebody, for the first time, and share things about yourself that you haven't been able to share before, that you might be scared of or ashamed about, that's really exhilarating, and I think that's something that people will really identify with.

I'll always have a totally open mind to endless possibilities. I want to do a dance album. Not Techno, but a record that's exclusively designed for people to dance to. That whole dance genre is kinda into its own world. I'd just like to get in there and mess around with that.

I see things differently when I'm focused on opening doors for other people, and more often than not, my doors are opened as well.

I've always noticed that nobody can be single-minded who isn't narrow-minded; and I think it likely that people who aren't so cocksure what they want to do with themselves, hesitate because they have a great deal more to deal with. A nature rich in fine and complex possibilities takes more time to dispose of itself, but when it does, the world's beauty is the gainer.

Sometimes people confuse contrivance and authenticity, and sometimes I think authenticity can get in the way of a good excuse to do something theatrical. I just don't like wasting opportunity - if you're going to do a photo session, if you're going to walk on stage, why not make it interesting?

Thinking about how disturbingly herdlike people become in so many different contexts - mimetic theory forces you to think about that, which is knowledge that's generally suppressed and hidden. As an investor-entrepreneur, I've always tried to be contrarian, to go against the crowd, to identify opportunities in places where people are not looking.

I think something happens with age. And I find this really a lot in what I read from certain art critics: For people who are all about change-people who are supposed to be intellectually and culturally drawn to the idea of change and how the voice of a creative person affects the world on a bigger scale than just the canvas-I would expect a person in that position to have that open mind. It's only a sign of age that they become so locked in their own rules that they forget that this is what it's all about.

Your understanding of another person is limited by what you think you already know. So when you just listen, the person you meet won't match your preconception. The exciting thing is that you usually meet someone much wiser and kinder than you expected. You might also lose track of your ideas about who you are.

I think the greatest thing about being an actor is that you can become other people. ... You have the opportunity to explore ... alternative ways of living for a brief time.

Its about continuing to learn and being open-minded, don't ever think you know it all.

People have compact to go beyond our own culture and upbringing to a degree that I think we don't acknowledge enough really.

Usually the intention of the artistic effect is too sophisticated for most people to understand, sort of like a joke that they don't get so they don't think it's funny.