Anthea Turner Quotes

I'd really love to get back into commercials, actually. I love how quick and breezy they are. And honestly, they pay really well.

I can think of doing TV shows if the money is good.

Voiceover is probably the toughest of all the markets to get into. Everybody wants to do it because it's again three to five hours work. You can roll in there with your bedroom slippers and robe on if you wanted to. And it's fun.

I just think you shouldn't expect people to pay money to see someone sing live and then lip-synch.

Everyone gets laid off and everyone in Hollywood gets unemployment for six months while they're looking for a new job. So I would just do stand-up for six months and think I was really making it, and when my unemployment ran out, I had to get another job immediately.

[Voice acting] is such an easy job. It's like stealing money, really. Which I'm always happy to do.

Hail, Caesar! is about, in my opinion - I love that movie - but I think it's about the idea that as glamorous as the business is, and for as much hoopla that surrounds moviemaking, ultimately it's just a job. If you focus on it, you can do it really well, and it takes a lot of hard work.

The government is already involved from an entertainment standpoint. I mean, they regulate a large part of our entertainment. What we're trying to do as an industry is be proactive and drive it much more positively, much more effectively, than the government can, and that's what the ESA is all about[....]We think we're doing a pretty effective job, and certainly from an Nintendo perspective, we think the ESA is the way to go.

It's a fun show, BoJack Horseman to do, and that gets around. It's easy, especially for a lot of actors who don't do a lot of voiceover. No makeup, no wardrobe, they really just come in, the lines are right there, we goof around for a half hour, and I think it feels like, "Oh, yeah, this is why I got into this business: to play around and have some fun." There's no paparazzi, most of them don't do any promotion for the show. it's the fun part of acting, without the other stuff.

We have many companies, I say pouring back into America. I think that's going to have a huge, positive impact on race relations. You know why? It's jobs. What people want now, they want jobs. They want great jobs with good pay. And when they have that, you watch how race relations will be.

Once I got a job singing and dancing, a reasonable person might think, "Maybe I should learn how to do this." But no, I never did.

I think you have to have different tools for each job - you know producer is very different from a director and very different from an actor.

I actually think that craft service was the reason I got into acting: the free food. I literally remember on my first job being like, "Yes! I get to have craft service every day!"

I don't like reality television, but it pays so much money.

I think I worked an average of about 10 minutes a day [in Big Bang Theory series]. It took longer to get to the studio than I actually worked. So I regard the driving there as the actual job. The work itself was just fun.

People will always work harder if they're getting well paid and if they're afraid of losing a job which they know will be hard to equal. As is well known, if you pay peanuts, you get monkeys.

I'm very lucky in that I've gotten to do a lot of things. But if you ever put a gun to my head and said, "You can only do one," I'd think it would be stand-up. I think it's the coolest job in the world.

Hollywood was set up by a bunch of businessmen. They do not see their job as being philanthropists. I don't think it's a contradiction in terms to attempt to be a good businessman and to also be liberal.

I still think of myself as the new kid, even though I've been on the air for two and a half years. But my job is the same as it ever was, which is to make 9:00 P.M. as good as I can.

You'd be surprised how many writers, or how many actors, if they miss a paycheck or two, they've got nothing. As a writer or an actor you can have four or five jobs in one year and then have none for two years.

I don't like to hear anybody in show business complain, because I just find it to be such a grateful business. Because there are so many wonderful, creative souls out there and there are so few jobs. And, so, I just find myself thinking to myself "wow, if I could get into a show of any kind and have it last for a while" - that's when I find myself really happy.

Having to stand in front of an audience and have it be your job to make them laugh, you can't really look to anyone but yourself. It's what you wrote, what you said and how you said it, so it's kind of terrifying, but I liked it. When it goes well, it's the best feeling in the world. When it doesn't go well, it's the worst feeling, but once you get into the rhythm of it, I think it's really fun.

I think television is doing a better job than films in terms of representing people, but television is still not diverse.

I've never really had a real job. When I was young doing stand-up, I'd get 50 bucks a week here or 100 bucks a week there. You know, sometimes for headlining one of the rooms, or MC-ing, or something like that. So yeah, I've never had like a normal job.

It's important to know all those things, but part of our jobs is to move people along and to make people excited to buy music or buy clothes, and give them enjoyment, I think, too.