Juliette Binoche Quotes

There is something about the creative process... which is that you can't talk about it. You try to think of anecdotes about it, and you try to explain, but you're never really saying what happened... it's a sort of happy accident.

I always say that intuition is the number one tool for an artist.

I don't think of work between albums. Of course, I go through regular life and I live and I experience different things, good and bad, and it does help me, but I don't think about writing or what I'm gonna do with whatever's going on while I'm going through it.

The writing is the springboard for your intuitive stuff and then you see, maybe a colour of what you want to achieve. Then you bring in the technique you've learnt. But when you're on film, you're not always in control of that. That's what makes me believe in a kind of collective unconscious, a sort of experience you draw on.

Everyone needs solitude, especially a person who is used to thinking about what she experiences. Solitude is very important in my work as a mode of inspiration, but isolation is not good in this respect. I am not writing poetry about isolation.

The mythology is that from chaos comes great work. I actually used to think that when I was younger, and I no longer think that anymore.

The ideas come afterwards, when the picture is finished.

I needed time to stand back and go through a lot more experience in life. Then I have something to write about, joke or to animate.

You know a trillion times more about art than me. But I’ve learned that it isn’t necessary to know all that much. You just make what you wanna see, right? It’s a game, right? It’s like being paid for dreaming.

Sometimes you feel like you have to do research to make something, other times you know you don't feel it so much.

That's the most important thing in art: to be aware, pay attention, be inspired - but it should come ultimately from you.

My pictures really finish themselves.

If you think about it enough to have a really articulate answer, you're not doing it right. That's how I feel about art. If your thought process could take you to knowing exactly what you're doing and why, there would be no point in making the art. It would become like propaganda. It's more nebulous than that.

I think it just has to do with getting older and getting better at what it was I was doing, and that I could take something small and kind of take my time with it. I think actually what that has to do with is I quit drinking. Before that I told myself I could only drink if I was - if I was writing, I had to be drinking. So I was on a timer, because eventually you get too drunk to write.

My discussion with Keith Richards about the creative process led me to believe that there's an invisible presence of a stream of ever-flowing creativity that we overhear-all you have to do is pull up the antenna and dial it in. This presence allows you to maintain your sense of origin and move forward.

I think it's really important to not talk about how you're going to release something until you've finished it. People are like, "What are we going to make? What are we going to do with it?" and it's just like, "I don't know, we're just making music. Then we'll talk." You can't always write something you're happy with; you can't force it.

When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens.

[Mannerism is when] you think you have all these great ideas, and none of them are good at the end of the day. But while you are pursuing those other things subconsciously happen.

Songwriting is ... all about intuition - this thing pops into your head for a reason and it's up to you to follow it. It's like there's a spirit, or intuitive network, that comes through all of us, but most people don't take the time to think about it or remember it. These little things pop into our heads - it's just a process of intuition. The initial thought comes in a baby state, and you work on that some more.

It isn't a hunch but the subconscious mind, which is the creative mind, at work. That is the mind which makes artists do things without their knowing how they came to do them. Perhaps with me it was the cumulative effect of a lot of little things individually insignificant but collectively powerful.

I understood that I was inventing myself, and that I was doing this more in the way of a painter than in the way of a scientist. I could not count on precision or calculation; I could only count on intuition.

A good artist lets his intuition lead him wherever it wants.

Artists are mystics rather than rationalists. They leap to conclusions that logic cannot reach.

First thought is best in Art, second in other matters.

I'm pretty critical, but I'm also pretty good at letting go once it's done. There's this existential argument that comes in, at some point, when you're over-thinking the songwriting process. There's no guarantee that the more time you spend or the more you concentrate on certain aspects that that's going to produce a better result, especially in the arts. Some of the most brilliant things that someone might do could happen in three minutes because it's something that just occurs to them.