LOUDON WAINWRIGHT III

When you start your career, you have to figure out a way to separate yourself from the pack. So I went for a kind of preppy, psycho-killer look: I had short hair, grey flannel pants, and a button-down shirt. I think it worked, because nobody else was looking that way at that time.

I wasn't in a lot of rock and roll bands. I was in jug bands and things when I was in school.

As it turns out, three of my four kids are professional singers. And they're really interesting, good singers.

I had a hip replacement a couple of years ago. I have a song about that. And why wouldn't you? It strikes me that that was a huge event. It's kind of funny and horrible and interesting, so why wouldn't one write about that?

I think I'm the oldest new Bob Dylan around. I predate Bruce Springsteen, Steve Forbat and John Prine. I was probably the first of the new Bob Dylans.

When you make a record, you listen to it literally hundreds of times. When it's done and you can't do anything else, I never listen to my records.

If I had five minutes to live, I don't think I'd be bothered singing a song. I'd be dead, so it won't really matter. I'd have a glass of wine and a cigarette.

Los Angeles, the sun shines a lot, and it's blue, and there's palm trees; it's a bit like Sydney, I guess, but the underbelly is a vicious, mean, cruel, awful place.

I think I'm great. I mean, I might as well come out and say it. Like most people, I have an ego and I'm in show business, so you have to have kind of a healthy, conflagrated ego to a degree. On the other hand, I'm consumed, like a lot of people, with self-doubt and loathing and guilt.

You always want to break away from your parents, and you always think, 'I'm never going to be like that guy.' What I've discovered is you kind of wind up becoming your parents, which is also a cliche in itself. My father, despite the fact that he's been dead for over 25 years, he's been a huge influence on me.

It's nice when people say, 'God, I've been listening to you since 1963 or 1985, or whatever.' I appreciate anybody who goes out and buys music these days.

I hated the idea that I would be like my father. Which is one of the reasons I decided I didn't want to be a writer and wanted to be an actor instead. I wanted to go in a total different direction. But, of course, I ended up being a writer anyway.

I guess I can be surprised I'm alive. I'm taking a little better care of myself than when I was a young person. My father died when he was 63. My mother made it to 74. My grandparents, God, they were dropping like flies.

Family life is tough, I'll say that for it. But in my case, I've mined the family. In a sense, I've used it. I've used what happened - the different events, the births of children, birthdays. Connecting, not connecting. Regret, shame, guilt. I mean, they're all in the songs. And love, too, I hasten to add.

I've never really suffered complete and utter writer's block, really. I equate it with sex: in the beginning of my career, I was writing five songs a week; now, I occasionally write a song. But it's an exciting moment when it happens!

I'm always asked if the songs that I write are therapeutic, and my answer is a quick no. In fact, it could be argued that they exacerbate my neurosis.

My music comes from country music. Merle Haggard is God, and I do believe that. I'm not too tuned in to country music. I don't know who Brooks and Dunn are. I like Shania Twain, though!

When my mother died, and when my father died, it's big. Our parents are giants; they're titans of our lives, so of course it's going to be a big deal.

I was a smoker for years. Occasionally I slip and have a cigarette. Remarkably, my voice has held up. I'm grateful, obviously. But I don't gargle with honey and ground-up bird eggs. I have no secrets.

I love failure. It's stuff that I'm thinking about all the time in my life, so it would make sense to me anyway to write about it.

When you start performing, you realize that you have to separate yourself from the pack. So I would never wear bell-bottoms, which everybody else was wearing. I had short hair - and to see a 21-year-old guy walk onstage without longish hair was, in itself, weird. Every entertainer needs a shtick.

I know that people don't listen to music much in the way when they'll put on a CD, sit down, have a drink or go on a car journey. People pick and choose and just listen to tracks. But when I make a record, I try to think about it as a 50 minute musical journey, so the mood is very important, as is the sequence of the songs.

I always wanted to be an actor, even as a little kid. So I went to drama school in the late '60s at Carnegie Mellon.

I don't claim to be a particularly good father. I'm flawed, let's say. I've certainly been affected by the experience of having kids... trying to be a father, at least. It's an amazing process. It's like songwriting: it's a complete mystery to me. I don't understand it - but I've certainly written about it.

The big things in the average person's life are the romances that they have - and then the destruction and loss of them. Parents, siblings, children, the death of parents, family tension... these are monumental things. They struck me as being interesting to write about. I didn't have a very exotic life, but all this stuff happened to me.