JIM JAMES

I think maybe the vehicle for me was 'Sam Cooke's Greatest Hits.' It has a song called, 'Touch the Hem of His Garment.' Do you know that song? I kind of got obsessed with that song and started exploring and getting more of his old recordings with the Soul Stirrers and really getting into that super, super deeply.

I just think meditation is so important because it gives you a chance to see what's going on in your brain.

'It Still Moves' is really the only record in our catalog that I've always felt I wanted to remix. Part of the fun of that record was that we recorded it all to tape, and it was all super-duper organic.

I've got a studio at home, and I'm always recording.

That's why you put out records: hoping that people will connect with them. I mean, I play music for myself, for sure, and I would still play music even if people didn't like it. But it means a lot when it connects to people and they enjoy it. But it's funny: you get criticism as much as you get praise. It kind of evens out after awhile.

'What's Going On' is one of the greatest albums ever made. I definitely wasn't aiming to make my 'What's Going On,' you know what I mean? That album is definitely deep in my DNA. I've probably listened to that more than maybe any other album ever in my entire life.

Love is love. Let's take it any way we can get it.

For me, 'Evil Urges' was like a video game. If you play 'Super Mario Brothers,' there's a level where it's like a snowscape, and then there's a level where it's a desert and a level that's like a jungle.

If you do something, you should do it because you love it, and you should follow your heart and make it how your heart wants it to be made. But it's a difficult world, especially for musicians.

I'd write songs like 'One Big Holiday,' and we'd play it and say, 'It's too heavy for 'At Dawn.' Let's save it for the next one.' We had more time for that, but when you mix a song, the general rule of thumb for us is a song a day or usually a day and a half.

I heard the Abbey Lincoln song 'The World is Falling Down,' and it just resonated with me so deeply.

I love making each record sound different.

I really have a lot of respect for music, the art form of music. It's my whole life. I don't care about any of that other stuff. And I have always felt that way. I'll build a career on my own merits, my own hard work and nothing else.

Almost every time I go to the ocean, I think about throwing my phone right into it. Sometimes, you pull that thing out of your pocket, you look at it, and you're like, 'What was I just going to do with this? Was I going to take a note? Was I going to check my email? Was I going to take a picture?'

I was talking to my publisher, Jamie Ceretta, who's one of my closest confidants and allies when I'm working on new music. I feel like I can always count on his judgement because he'll tell me if he doesn't like something. It's sometimes hard to get people to tell you if they don't like something.

Live music is incredible because you get to be with people, and you get to have this tactile, real-world experience, but at the end of the day, if your eyes are closed and you're getting swept away, it's like... I don't know.

I got really hooked on this riff in the middle of this song called 'Minor Miracles' by my friend Eric Johnson from Fruit Bats. I got the tracks for that from him, and that turned into 'Here in Spirit.'

We don't have universal health care. Education is so expensive. We have these massive problems, you know? So it makes me really happy to think that somebody could have all the music in the world for free. But at the same time, if you have enough money to pay for it, you should pay for it.

When I make a record with My Morning Jacket, I love what those guys do, so I don't have a need to play bass or drums or anything, because we're doing that as a unit.

Moving and motion tends to make things pop up. But things pop up for me, really, at just odd intervals or at random times that aren't really convenient, so I'm a big fan of the voice memo recorder on my phone. That's the only way I can remember things.

I feel like I've paid a really heavy cost, a really heavy physical health cost, for the years of touring and how physical I've been onstage.

There's so much chaos and trouble in the world right now, and we need to broadcast as much peace and love, too.

Pilates is amazing. It makes you conscious of how you have been doing something incorrectly for so long, even something as simple as just standing there.

There were lots of songs that were on 'It Still Moves' that I had written, and we had played - rehearsed, but also played live a couple of times - that could've gone on 'At Dawn', but we always knew we wanted to make a record that was more quote-unquote 'rock n' roll.'

I've gotten into doing electronic books and audiobooks, so I have an iPad. I still love reading a real book, but when you travel, it's better than carrying around a bunch of books.