Douglas Coupland Quotes
Make your goals big and broad enough so that they never become answered prayers and boomerang to curse you.
Coupland, Douglas. The Gum Thief. Random House Canada, 2007.
In Iraq, the people of the marshland, known as the Madan, supported anti Saddam forces. In retaliation, he killed many of the Madan outright and burned the reeds of the marshes on which the people depended. Then he diverted the water from their land and the culture was almost extinguished. Dr. Alwash was the son of the Iraqi Engineer who managed the water in that region of Iraq and as a child became very familiar with the Mash area and the Madan. He returned to Iraq and began a huge project to rebuild the area and allow the Madan to grow and flourish. To accomplish that, a gigantic water engineering project is necessary to undo the water diversions that Saddam had constructed to destroy the Madan. This was a huge dream and vision.
At the time Eigen was serving as the CEO of a corporation that ran various programs under contract to the Federal Government. Two decades later, the founder of Facebook, a man whose goals were never set low, had a more sophisticated way of phrasing this principle. See {631133}.
Douglas Coupland OC OBC (born 1961) is a Canadian novelist and artist. His fiction is complemented by recognized works in design and visual art arising from his early formal training. His first novel, the 1991 international bestseller Generation X: Tales for an Accelerated Culture, popularized the term such as McJob. He has published thirteen novels, two collections of short stories, seven non-fiction books, and a number of dramatic works and screenplays for film and television. He is a columnist for Financial Times. He is also a frequent contributor to The New York Times, e-flux journal, Dis, and Vice. His art exhibits include Everywhere Is Anywhere Is Anything Is Everything which was exhibited at the Vancouver Art Gallery, and the Royal Ontario Museum and the Museum of Contemporary Canadian Art, (now the Museum of Contemporary Art Toronto) and Bit Rot at Rotterdam's Witte de With Center for Contemporary Art and the Villa Stuck.
