Justin Hartley Quotes

What I do know is how difficult it is in this industry to get a show on the air. There's so many different stages: getting a script bought by the network, then getting a pilot made and having that pilot go to series, and then, when that series gets on the air, having people watch it.

If you go to pilot then you are probably going to go to series. That's my feeling about it.

I think feature films sell on the idea, and I think TV works based almost entirely on execution. I don't think anybody is going, 'Wow, that show is executed poorly, but the idea is so cool I just have to keep watching.'

I did a pilot for Anything But Love in 1988 that didn't sell.

Never underestimate the intelligence of the audience; make good programmes, and they will come.

When you're starting up a show, you don't really know what direction it's going to go.

Now that I know what goes into making a pilot, keeping it on the air, and keeping your fans, I'm at a point now where I do a pilot and just hope for the best. If it doesn't work out, it doesn't work out.

Being an executive producer allows me the opportunity to create original content, and I can't wait to show my fans what we have in store on 'Kocktails with Khloe.'

I'm not setting 'Jericho' up to be anything other than what it is, which is, you know, a piece of good, well thought-out, well put-together TV and entertainment.

TV is a hard thing to do. It's a hard thing to get a show.

Working in MTV's development team, my days would consist of pitches and deciding which concepts we wanted to buy. We would then develop those into a pilot. Very few ended up making it to a full series, but if they did, I would manage the project alongside the show's creators.

I think there is a larger responsibility towards actors to make television what it should be in India. I would love to take on the challenge. Had it been for me, I would focus on good content.

In television, things move quite slowly. It can take years to get a show off the ground.

I think audiences can feel when they're being served a filler episode.

It's not that I won't do any horror movie. The script has to be good and also the execution has to be perfect to attract the viewers.

With TV, you film something and have to wait six months to scrawl through Twitter to see what people think.

The main dream is to get 'Mandem On The Wall' its own TV show. That's the kind of platform that we're trying to reach.

I love TV and I think it would be cool to be a host one day.

It's too easy to underestimate your audience. But it's not rocket science: bad plays don't get people on seats; good plays do.

I think the best voices, the most creative voices, and the best content always wins.

I feel like we always kept our core philosophy of making content that we would wanna watch, and there's definitely a different scale we are offering that at today.

I don't watch daily soap. I've never seen my shows as well except for the scenes in which I really want to improve something or correct something.

Good films with great content is what I dream about.

Television demands continuity and more work month after month. One has to also maintain quality as it reaches not just India but U.K., Canada, Pakistan, and Dubai as well. It is very powerful. And the risk of flopping like a film is also not there!

Even if you are a superstar, you have to give your audience some content. Because there is so much good content out there that people consume today. To sustain this, you have to nurture good content and writers.