Boris Kodjoe Quotes

I think the love scenes are very powerful and they're not trying to simply show the bodies of the actors but trying to reflect the inner feelings of the character so it's easier in that way.

In a love scene that's really advantageous because you don't have that horrible moment of: "We don't really know what we're supposed to be doing, we just know we're supposed to be snogging and then shagging." Then the director shouts "action" and it's like: "Should I feel her boobs? I don't want to feel her boobs!"

I'm such a private person, and sexuality is such a private thing. A sex scene is much harder than a fight scene. It's one thing to say, 'Kick higher,' but 'Kiss harder' - that's just crazy.

It's always weird doing love scenes. And the thing is, you can't really photograph two people kissing naturally, because then you wouldn't be able to see anything.

I find that love scenes are the most unsexy things to shoot.

When you start out as an actor, you read a script thinking of it at its best. But that's not usually the case in general, and usually what you have to do is you have to read a script and think of it at its worst. You read it going, "OK, how bad could this be?" first and foremost. You cannot make a good film out of a bad script. You can make a bad film out of a good script, but you can't make a good film out of a bad script.

I feel sexy because I feel loved. That's what sexy is-it's feeling good from the inside. When you feel sexy or sensuous, you naturally want to open up and give, and I think that comes from being able to receive love and desire.

My understanding of the way sex scenes work is that you're surrounded by crew, and you're cold, and you have to do it eight times 'cause they didn't get the lighting. It doesn't sound pleasant, but you think that actors actually enjoy it?

It's very difficult to find the time or the money for people to organize rehearsals for some movies. It staggers me how little preparation often goes into these scenes which are difficult and complicated. You think, "God, it's crazy. I've never met this person before and here I am having to work at how to do a whole performance on the set." It was great to have a few days of just talking to Michael [Caine] and Daniel [Barber] and thinking about the characters and the relationship between them before we started shooting.

I think doing love scenes is never easy without a strong emotional background.

Well, you can think what you want, so long as you remember - no matter how ordinary things seem between us - I'm still here, still in love with you, and care about you more than any other guy, evil or otherwise, ever will.

I think that one of the great things about spending - as in my case - twenty-something years with somebody is that at some point you do love the actual person. They're there little by little, the outline is really pretty clear.

I was just thinking about my own natural way of one-night stands: always wanting to be more attached to something. I'm not very good at detaching myself.

We actually did a lot of takes on this movie [J. Edgar Hoover]. I never left the set wanting more. That's for sure. I don't know. This was a very difficult character for me and a lot of the other actors here, and at times we went and did 8 or 9 or 10 takes on a single day.

But I think if it's the right person, you wouldn't have to work so hard at intimacy. I think—hope—it would just happen naturally. Otherwise, opening up to the wrong person..." I made a face. "Like putting ammo in their hands.

I just don't like to get intimate. I don't want anyone to know what I feel and what I think, and if they can't get some kind of an idea of what sort of person I am through my music, then that's too bad.

Without solitude, Love will not stay long by your side.

Why should I believe any of this?' It happens that fast. I say, because I think I like you. Marla says, 'Not love?' This is a cheesy enough moment, I say. Don't push it.

And Later I Thought, I Can't Think How Anyone Can Become a Director Without Learning the Craft of Cinematography.

Many women would like to dream with men without sleeping with them. Someone should point out to them that this is utterly impossible.

So many young people think the big sex act is the whole movie, but that's not the case. You need to be able to talk and laugh and cry together.

I think that men think they need their man caves. They don't really do. They think they want them, and then the second they do get them and they have alone time and time away from the girl, and the girl is really cool with giving them alone time, then that's when they, or at least I, start to think, "So, why are you so cool with me being alone? What's wrong with me that you don't want to be with me every second."

I don't know that sex always has to have feelings, but I think that friendship always does.

Sometimes sex gets in the way of a relationship.

When I shot the movie, I wasn't gonna think about anything except for being the biggest knucklehead in the world.