William Gibson Quotes

Not that I've always loved the movie when they finally come out, or if they ever come out-because many of them don't come out-but I've gotten to work with really good story editors and stuff like that.

I depend on good editors and a good director.

Please do not ask me to talk about my divorce. Mr. Ziegfeld and I are such very good friends. It is only a little matter quite between ourselves.

A lot of these roles that I feel like I've had some sort of impact, or that have had an effect on me, have always been with directors who have the time to somehow get to know me. Any good director's going to be curious about who it is that's coming aboard.

Being an actor is often very tedious, which is why it helps hugely if your fellow cast members are also good friends.

I had a really good time working with Jim Cameron. A lot of people didn't, but I did as I got on with him really quite well. For a director who spends most of his time looking down a lens or in the digitisation studio or working out some graphics, he is actually very good with actors.

I grew up with another pretty darn good writer: Glenn Frey of the Eagles. We were very good friends, and we kind of studied it together.

It's great, getting the scripts and working with somebody like Sam Esmail, who is such a great leader.

I worked with Tyler before on 'Daddy's Little Girls'. He couldn't be smarter or more laid back and cool. He's always throwing out lines and is funny as hell. And he was shining his light on 'Peeples', too, lending his name to showcase Tina as a first-time director, and me as a first-time lead.

Directors are our teachers, and I'm always craving to work with a great director. They're pretty much the first thing that interests me about a project. Let's put it this way: It'll take me a lot longer to read a script if there's no director attached.

To work with the same director is a great feeling.

I haven't worked with a director who is a crazy person at all.

I'm a writer and director, and I like to do that, but for some reason, it's become part of the industry and part of the job to go, 'Alright, let's talk about it!'

Sometimes it's the script or an opportunity to work with an incredible director.

Kubrick and I were pretty good friends.

It's really cool when the thing you are working on as a small team gets embraced by millions, but in the end, it's about your character and the script and your director and the rest of the cast and crew.

In 'Stree', I had a great time working with the whole team and Dinu, being the producer and one of the most important people. And now we are doing another film together, and I'm sure there will be a couple of more films in the future.

More than anything else, I love to act and leave the rest to my director.

There's no money in theater, but artistically speaking, it's so much more fulfilling! But, of course, there are still so many people left in film that I would love to work with as well - like Guy Ritchie! I'm a big fan of his work. He's at the top of my list of people I would love to collaborate with.

It's good to work with a writer-director.

I've known Venkatesh Maha since 2015 and we often discuss several things related to cinema and filmmaking.

I've worked with Farah Khan who is a competent woman director, and Farah and I had a great professional equation and we are still best of friends.

I worked with Michael Goode back in 2009. We had done a short film together where I was the actor and he was the director. We got on well and I always remember that being the one of the first acting jobs I did.

It usually starts with the director and any other creatives who may be involved at the start. It's a collaboration. I bring what I have naturally and, hopefully, what they cast me for, and then we start playing and tweaking until we have what they feel's right. It helps to have some artwork to inspire me, but I don't always get that luxury.

Even during 'Udta Punjab,' I didn't say much until the film was out. I feel it's incorrect to talk about a film until everything falls into place.