Harrison Ford Quotes

I am very happy to be working with so many talented directors and writers, who are penning scripts that are interesting for me.

Anybody who knows how to make a good movie, knows that it's a collaborative undertaking. To deny that its really dangerous.

A film just doesn't involve actors, a director and a producer, there is also the cameraman, the sound engineer, the music composer, the lyric writer. So many people come together to make a film. When we all feel satisfied with the film that we have created it's a win for all of us.

I like working with writer-directors because you can solve problems right there.

Any film, or to me any creative endeavour, no matter who you're working with, is, in many cases, a wonderful experience.

And 'Sex & Drugs & Rock & Roll' was a very transitional film for me in that I was one of the producers and you know, came up with the idea with the writer and the producer, as well. But, it was a very collaborative event. You know, I really love working in that way.

It was a challenge, to work with Oliver Stone.

I depend on good editors and a good director.

Magicians are typically introverted; they don't tend to work with others, but I work with software programmers, composers, designers, so it's a very diverse group and the result is always more interesting than something I could have done by myself.

Filmmaking is a miracle of collaboration.

Television and film acting is really fun because you are working with other people and you are not completely responsible for the outcome of the project.

One of my favorite things about 'Castle' is the fact our writers and producers are so collaborative. They allow us to bring in ideas, and they try to make them happen for us.

I might be like a conductor, or I collect the stuff together and I do a lot of my own writing. But what is a pleasure is the whole creative thing in which we're all excavating and trying to find something.

I'd work with Danny Boyle every day of the week. No matter what he was doing I would do that.

You never know when you read a script how it's going to turn out because so much depends on the collaboration between people. If I'd been in some of the movies I turned down, maybe they wouldn't have been a success.

I believe everything creative is somewhat collaborative. If you're a painter and someone stretches your canvas, it was collaborative on some level.

It's great, getting the scripts and working with somebody like Sam Esmail, who is such a great leader.

To work with the same director is a great feeling.

Film is a collaborative art form. If you're not being collaborative, you probably shouldn't be working in film. You don't do it on your own. People who understand that, cultivate that, get the best results.

I love the process of working with a filmmaker and the writers and the actors.

When there's a good script, everybody circles.

I've been very blessed to have worked with two incredible directors - Barry Jenkins on 'Moonlight' and Ted Melfi on 'Hidden Figures' - and it was a collaborative effort in shaping my characters, Teresa and Mary.

It's one of the things I love about my job: it's my job to help a director tell the story, to just be willing to help.

I love writing books, but it's a solitary experience. When I'm on a film set, I'm with a bunch of other artists working together to make one thing.

It's good to work with a writer-director.