Bob Saget Quotes

I actually like the collaboration of working with different artists.

In an ideal world, as a director, you usually wish you could do your own thing and not have to take anyone else's point of view into account, but occasionally you work with someone like Robyn, who brings a new set of ideas to the table, and the whole ends up much greater than the sum of the parts.

Sometimes two artists wanna work together, but it doesn't mean it's gonna happen, because you have to find the right idea.

I will admit, it's so intoxicating working with Steve Carrell. Creatively and professionally.

Magicians are typically introverted; they don't tend to work with others, but I work with software programmers, composers, designers, so it's a very diverse group and the result is always more interesting than something I could have done by myself.

I'd work with Danny Boyle every day of the week. No matter what he was doing I would do that.

I believe everything creative is somewhat collaborative. If you're a painter and someone stretches your canvas, it was collaborative on some level.

I see my actors as my collaborators.

To work with the same director is a great feeling.

Life is very complicated. I look to collaborate with artistic people and to go into an endeavor without judgment and to hopefully be treated with the same.

If you understand each other's way of thinking, you understand what kind of film someone is trying to make, and all the ideas that I come up with will fit into that film.

There's a synergy with Dre and me.

I was attracted to Joe right away. He was and is one of the greatest cartoon artists I've ever met. I was able to do the timing, and Joe with his draftsmanship could make the storyboards. There were things I could do that he couldn't and vice versa.

I've worked with Jonah Nolan on several projects. I really love collaborating with him.

In this artistic world, you might as well find a way to work with somebody that you have admiration for.

To keep on collaborating with my friends from Cecile Believe and FluCt who inspire me a lot and who are part of the team putting this whole show together. I'm excited to have that kind of play.

I only collaborate with the people I rock with in life, period. I rock with people where I really respect their craft and respect what they're doing. That's what collaboration should start from.

You're collaborating with people you don't even know, when you're making a film. You're collaborating with people you've never seen. So, the collaborative process is very, very different than when you're collaborating on a record with the musicians you've worked with all your life.

I get really excited about collaborating because by the end of the day you have something that you never thought you'd have. I was really happy about writing "Bad News" and a bunch of other stuff on the record that came out so well.

It's easier to be creative if you've got other people to play with.

If I'm talking to a photographer, I'm talking to a stylist, I'm talking to a makeup artist, we're kind of creating and collaborating and making something that is artwork and is special and is different.

Every creative person can draft into service those around them who exhibit the right mixture of intelligence, insight, and grace.

Use people whom you're excited by and who share your excitement... The ideal collaboration is one in which the actor and director are saying to each other, 'I can't believe how lucky we are to be making a movie together.'

I just can't say enough about the actors having faith and trust in the writers and the writers having faith and trust in the actors.

A great movie evolves when everybody has the same vision in their heads.