Scott Eastwood Quotes

I worked with Cameron Crowe, and I'd love to work with him again.

He wasn't directing it, of course, so I didn't work with Hitchcock.

It's not just about acting. I love film, I'm a director now, I love writing, I love producing, I love having a company that makes films and to be prolific and have a place to put all the ideas that are constantly bubbling up inside of me and that don't let me sleep at night.

Part of an actor's job, in my opinion, is adjust to the characteristics of the director and try to understand to how he tries to work.

Every director works differently.

When I was preparing for the film for tree weeks, with David Cronenberg, I had a lady friend come over.

I love Malcolm Lee and jumped on the opportunity to work with him as a director.

Working with and collaborating with and for Peter Jackson was an incredible experience because he is such a phenomenal filmmaker.

I would love to work with Martin Scorsese.

Directors are our teachers, and I'm always craving to work with a great director. They're pretty much the first thing that interests me about a project. Let's put it this way: It'll take me a lot longer to read a script if there's no director attached.

More than anything else, I love to act and leave the rest to my director.

It's good to work with a writer-director.

I love direction. I met Roopesh Peethambaran and assisted him in his maiden venture, 'Theevram'.

Many times, what's in the script doesn't make it to the film these days, and when you choose a job, you take it based on genre and whom you're going to work with, if you believe in them.

No actor can give his best performance without the help of the director.

There's so many people involved in making a film.

When I do a film, I try and see how in tune I am with the director.

The whole thing of working in collaboration with filmmakers is the thing that I love the most, and possibly the thing I do the best.

I like working with a first time director. I'm more likely to work with a first time director than I am a second time director.

[Stanley] Kubrick was a fascinating, larger than life guy who had been a friend for many years prior to our working together on that film. I found the best part of working with him to be the long conversations we had between set-ups.

Well, there's two things I have criteria for doing a film: The script, which is the story, and the filmmaker, and it's a filmmaker's medium. I like really strong directors, and so when I do a film, I'm out there to serve the director, really, which is in turn to serve the script, to serve the director cause he's the one making the film. I relied on Todd Haynes for that.

Some directors involve waiting, and if you want to work with that particular director you're going to have to hang around.

There are directors that I want to work with and that I admire. You can love a script, but if it doesn't have a good director, it won't be that.

I really do like working very closely with a director and developing characters.

I went to NYU graduate film school and met Pam [Romanowsky], and after doing a few things with her I thought she had the right sensibility and that she could figure it [The Adderall Diaries] out.