Colin Farrell Quotes

I'd like to work with David Lynch again.

I have always wanted to work with Steven R. Monroe, and when I read his script, I was blown away! I think 'Complacent' hits a nerve that people try so desperately to avoid, which is what I love about Steven's work.

I always loved doing a movie with Daldry. That's always a huge factor for me.

Making 'Beloved' was an awesome experience.

It doesn't matter if you're doing a studio movie or you're doing an independent movie. When you get to set and you're doing a scene, it's always going to be the same job. I really don't think about my career, in terms of planning it out and what this does for me.

Films are not mathematics - that's the first thing you need to understand. At least, that's how I feel. They are not words on paper. Films are made with people, with teams and with individual bundles of creativity coming together to fulfill the vision of an individual who is the director of the film.

My best film composing experience was with Elia Kazan.

I hooked up with director Jacques Audiard for this film called 'Rust & Bone' with Marion Cotillard. I loved that experience so much I'm truly sad that it's over!

Directing 'Fifty Shades of Grey' has been an intense and incredible journey for which I am hugely grateful. I have Universal to thank for that.

I love working with Darren Lynn Bousman. He is such a cool director with really great ideas.

I'd work with Danny Boyle every day of the week. No matter what he was doing I would do that.

My favorite film is always the one that I most recently worked on.

I like working with Kenneth Branagh.

I did my first film with Francis Ford Copploa, which spoiled the hell out of me.

I loved working with Ed Zwick.

F. Gary Gray, I think, is one of the best directors I've ever worked with in my life, and I'd love to work with him again.

I think every filmmaker has his way of working, and I respect that.

I'd love to work with Vishal Bhardwaj and Imtiaz Ali.

While doing 'Ghazi,' Sankalp said he wanted me for his next film. He is a genius. There is always a mini-war going on in his brain, though he is a reticent person.

Whenever anybody asked me, 'Who is your number one director to work with?' I would always say Tim Burton.

It was a great circumstance when I received the script of [Chloe] and Atom [Egoyan] said he wanted me to do it. I was inclined to say 'yes' immediately.

It's a really unique situation where you just - you make independent films or you make big blockbuster movies, but it's very rare when all of those ingredients come together, and you can really tell a story that you care about with a character you absolutely love with the people you love making movies with.

It's really interesting to observe each filmmaker's approach to filmmaking and I feel very fortunate to have worked with a lot of really interesting filmmakers and they all approach their job in unique ways.

I know the pleasure you get from making your films. The intense involvement in every aspect: the acting, the camera, the colors, the costumes, even the hair and makeup. Editing is thrilling. Everything to do with films is absorbing - everything but the money part, the business. But I'm deeply glad I've had that experience.

I thought ['Sailcloth'] was a terrific script. Elfar Adalsteins, the director, is bound to be a director we'll hear from, and the whole thing was really enjoyable.