Scott Eastwood Quotes

There are certain people that when they ask you to do a film, you just say, "Where and when?"

'Flip' is an anthology of four short films, and I am in the one called 'Massage,' along with Sandeepa Dhar and Viraj Patel.

I am doing an interesting film called 'Club 60' where I share the screen with many superb actors like Satish Shah, Farooque Shaikh, Tinu Anand, and some more. It's one film I am looking forward to as it has been made very differently.

Filming in London is brilliant.

I am really glad to be a part of Srijit Mukherji's 'Nirbaak.'

I spoke to my father about making a documentary on him. I have been seriously contemplating that.

My goodness, what a blast it is filming 'Woody.'

When we made 'Life in a Day,' we asked people around the globe to record their lives on a single ordinary day. When we were cutting that film, we talked about what it might be like if we chose a day that already had significance to people. The result is 'Christmas in a Day.'

'The Look of Silence' was an unforgettable, chilling documentary.

I like 'Paris is Burning' by Jennie Livington.

I had so much fun filming 'Starstruck.' It was an amazing experience, and I bonded right away with Sterling Knight, so we had loads of fun together!

My character in 'OK OK' has a lot of attitude, and it is an interesting one.

When you deal with a film that takes place in Europe, and you're going to work in English, you'd better work with European actors.

I've always loved [Elsa Dorfman] work. I've loved her and her work is so much an expression of her. One of the reasons to make the film is to expose Elsa, hopefully, to a wider audience.

I found it was remarkable. It was so evocative. I feel like it captured the urgency and the chaos, but through the silence of it, through the slowness of it. That's what I loved the most about Citizenfour.

My mind was blown by how much I felt I was like Peeta. We shot in the forest near Asheville, North Carolina-a lot of fight scenes, very physically demanding. Jennifer and I totally hit it off. We're both crazy people-we don't hold anything back.

Wayne Wang, the director, really helped me become a more mature actress. When I first started filming, I was really over the top. He just helped bring me down and make me real. That was really wonderful, a really wonderful experience. Also, what I learned about filming is it takes forever. I mean, there are so many different angles and shots. I mean, it just takes forever.

Iceland is fascinating; really an amazing place to visit, and great for a film to go there.

You spend all this time, as a child, coming up with these fantasy stories, and here I am, sleeping in a treehouse, in the middle of Canyon de Chelly, shooting a Western. That's a bit of a once-in-a-lifetime experience.

We shot ['Sailcloth'] five days down in Cornwall, and you couldn't have asked for a more beautiful place. It was a couple of tough days at sea, but when I say tough it was still enjoyable.

I just want to make films that are personal, but interesting to an audience.

Filming is completely - was totally new to me ... I had a movie career which wasn't supposed to be, so I couldn't be more thrilled. For those who work, parts seem to get more interesting.

I'll be vilified if I shoot a film in Toronto for New York. And rightfully so!

A good documentary or educational film is not raw experience. The material has passed the mill of reason, it has been sifted and interpreted.

While we were shooting the movie, we shot in the actual hotel in Hong Kong where it all went down, the Mira Hotel. Laura Poitras was coming to Hong Kong to do a screening of Citizenfour, and she ended up staying at the Mira Hotel. It was her first time back in Hong Kong, and I ran into her in the elevator. Literally I had just finished shooting one day, and I came back to the hotel and she was in the elevator.