Filming Experience Quotes

Certainly Amadeus because it was a very powerful time for me, we filmed it in the Czech Republic at a time of lots of social and political change going on in that part of the world.

In some ways, it's easier to be the lead. Week after week, scene after scene, the rhythms of filming force you to peel away a certain amount of artifice. When you're on set that much, there's a license to let the character emerge from the work itself.

When you're filming, it's very different from what you see on screen.

Peter O'Toole - I really loved that man. They sent me into the desert, and I lived there with him for 100 days. And there were no women! Can you believe it?

To work with somebody you love makes filming faster, more fun.

'Lassie' was amazing. I didn't have any scenes with humans. There's a couple little bits, here or there, but mainly just me and my horse and a couple of dogs in the Isle of Man.

Filming in London is brilliant.

For the first two weeks of filming, I remember bristling at some of the occurrences on the set, none of which directly involved me. Then I surrendered to the environment, to Michael's method, and became much happier, even though no one knew what to expect.

When I think, where did I laugh the most, where did I eat the most, where did I just feel good all the time, I would say making the Bond movie 'Die Another Day.' To be part of such an iconic franchise and to travel to exotic places - that was the most fun I ever had.

Wayne Wang, the director, really helped me become a more mature actress. When I first started filming, I was really over the top. He just helped bring me down and make me real. That was really wonderful, a really wonderful experience. Also, what I learned about filming is it takes forever. I mean, there are so many different angles and shots. I mean, it just takes forever.

I did 'The Grey,' and it was very intense and emotional because we're in the wilderness, and it was always 30 degrees. You kind of lose your sense of reality in the fact that you're filming a movie.

We shot ['Sailcloth'] five days down in Cornwall, and you couldn't have asked for a more beautiful place. It was a couple of tough days at sea, but when I say tough it was still enjoyable.

It was easy and fun [filming in Hail, Caesar!], and I think it's easy to be intimidated by the Coen brothers, because they're quiet. They don't heap praise, especially upon themselves. It's not like they're walking around thinking they're the greatest thing on Earth.

My favorite day at '30 Rock' is Thursday when the show airs. At lunch, we screen the episodes. For everyone to watch together, to see the stuff we all worked on, to hear the crew laugh - it's great fun.

There were points I wanted to stop acting. We got so busy and didn't get to see our friends a lot, and I was like, 'Wow, I'm kind of over this.' But then we started really having fun on 'The Suite Life.'

I was only 16 when I was selected for 'Madrasapattinam.' I celebrated my 17th birthday on the set of the film. That was the first time I had travelled to India, and it was a rollercoaster ride. I soon fell in love with the country.

In the summer of 2002, we had spent six weeks shooting the three pilots of Mythbusters, and Jamie[Hyneman] called me up afterward - well, first he called me up to tell me to clear my crap back out of his shop - and he said, "Well, that was kind of fun, wasn't it? I mean, I don't see where this could go, because we pretty much did everything. But it was fun."

I feel really lucky to have had 'War and Peace' as my first big telly job. I was playing this incredible character, and we were shooting in Catherine the Great's palace near St. Petersburg in the winter, when the river was frozen. It was a dream. I still can't believe it. I wanted to soak up every last minute.

There is anxiety, but it comes after you've finished filming because it's out of your hands; people are editing it, they're cutting it, marketing it. And it's... part your career sort of rides on that. But when you're actually filming it's a team thing and it really feels good there for me.

It's a strange thing when someone passes away. It's always when you're not expecting it that you're affected by it. When we first started filming, we were filming with existing characters in a location that we'd never been before.

I don't know, being able to work with Meth was pretty damn cool, but even that day, John, the director, gave me one of the best notes I've ever had. I walked into the scene just completely excited. I just couldn't believe I was going to work with Meth.

Filming 'Glow' helped with my confidence.

Being in Russia filming War & Peace...filming War & Peace alone is an extraordinary experience, but to be out there was just magical.

[Dario Argento] would yell at you in Italian, and I'd have no idea what he was saying. I'd just go, "Okay!". But it was a really great experience [filming Two Evil Eyes ].

When I was filming 'Ouija,' there were some elements in that that really creeped me out.