Werner Herzog Quotes

I think that texting and driving is a 100 percent no-go. I think it should be banned everywhere because you cannot be focused on looking ahead, in the mirrors, being aware of what's around you, and to type on a small keyboard and a small screen.

TV has been my goal since before I started YouTube.

When we started out doing YouTube videos, I think we were very, very early on in terms of people doing a behind-the-scenes component.

YouTube has changed my life in a huge way. I mean, I wouldn't be able to pursue music and do what I love each day if it wasn't for the YouTube platform and for the people who watch my videos and share them.

I started a YouTube channel called Days of Dre. There's a lot of content on there.

Honk if you love Jesus, text while driving if you want to meet up.

People ultimately get what they deserve on TV. What people end up watching is what the advertising end up glomming onto and promoting.

I think it is important that we are targeting HIV/AIDS resources into the communities where we're seeing the highest growth rates. That means education and prevention, particularly with young people.

I don't really think about film or television or going directly to the internet. I just think about doing something that people are going to get excited about.

I don't think there can ever be too many messages about AIDS. If you stop the education process, then people are going to think the problem is all over and done with. They'll think that it's OK to go and have sex again. Education is essential, especially among young people.

We live in an age where people are like, "I'd love to catch up. Maybe text me later? But don't call because I don't really listen to my messages. But if you text me..." We've displaced interaction into sound bites and untethered phrases and sentences that come up on the phone as Twitter feed.

I first discovered YouTube while browsing the web, and then I found people just talking into their cameras. I never even knew it was a thing you could do. William Sledd was my first YouTube obsession. He was so unapologetically himself, and just had fun talking to his audience about things that interested him. I thought - if he could do it, why couldn't I?

It's difficult to keep anything fresh for an audience these days. With technology being what it is people seem to know everything there is to know about a film before you've even made it.

It's because of this fundamental shift towards user-generated information that people will listen more to other people than to traditional resources.

Because of the internet, satellite TV, and the digital world, you can stay in touch, you can learn about other people from a young age.

We don't know how many people are watching The Grand Tour's - it's a closely guarded secret, we don't even know - the only thing we can do is make a program that we enjoy. And then hope that we're not so unusual that other people won't share our taste.

The average age of the Jazz audience is increasing rapidly. Rapidly enough to suggest that there is no replacement among young people. Young people aren't starting to listen to Jazz and carrying it along in their lives with them. Jazz is becoming more like Classical music in terms of its relationship to the audience. And just a Classical music is grappling with the problem of audience development, so is Jazz grappling with this problem. I believe, deeply that Jazz is still a very vital music that has much to say to ordinary people. But it has to be systematic about getting out the message.

All you have to do is be a little bit specific, and all of a sudden, you have your own little niche and people are going to watch.

The thing that struck me is so many people that said, "Hey, I've been watching you since I was 12, and I'm 25 now." It was a weird shift, because you start off fighting for an audience based on doing something so strange that only you find funny, and it's weird when other people find it funny. Those people aren't always ready to laugh yet, and there's a sort of standoffish quality to it.

We won't allow the people to be devoured by YouTube, Facebook or others.

We [with Neal Dodson and Corey Moosa] wanted to draw people in with a dialogue - whether it's a creative process or a social issue or innovation of some kind; whether it was how we told the stories or what stories we told. We produced some online videos.

I'm one of those YouTubers who doesn't daily-vlog, so my life may seem very open, but my audience only really sees probably 50%. I keep a lot to myself, and I cherish the things that are for me and the people closest to me.

My feeling has always been if you entertain people, they give you permission to do more on a thematic or character level.

Listen carefully to the feedback your readers give you. Dont write unless people want you to write, a lot of people write just because they want to write.

Today, you'll have a following for a film before it even hits theaters. We can reach out and touch our audience in ways that they couldn't. So it's about getting eyes, getting interest, and getting people involved.