Eric Bana Quotes

I'm a big believer of daylight in the studio.

I like going on location for films.

I don't typically work that late into the night in a studio, I'm more productive during the day.

I think that being in an environment is a much richer experience than just working on a soundstage.

Well, my closest friends are still the ones that I went to school with, but it's nice to go to work, at the studios, and have people there that you're willing to talk to and have a good conversation with.

Although I have two good Anglepoise lights, I much prefer to work by daylight.

The weather was turning cold and I remember that Dante was using nothing but natural light as his electric department was away, prepping the scene in the cave. We stayed on that rock for the whole day.

I don't mind being in studios, and I don't mind being out in nature. They're two different ways of making movies.

A lot of people come work with me because I keep an open set, and people can visit. Julia Roberts used to have friends visit on 'Pretty Woman.'

In 'A Room With a View' there's a lovely scene with Julian Sands and Helena Bonham-Carter in a wheat field. It was simply the right time of day: late afternoon, that golden light, wheat and poppies... So romantic. But I had no idea it would turn out that well, since we so rarely shoot in a studio.

But it's Sunday, Mr. Bell. Clocks are slow on Sundays.

The bell strikes one. We take no note of time But from its loss.

The studio experience fluctuates depending on who you work with, it's not like it's all one experience. Every studio is different, every producer's personality is different. You never know what you're going to do.

The way I make music is just a reflection of how I think music should be made. Where you sit in a studio, and you make music, and you use technology to your advantage, not to hide all the blaring mistakes.

I think when you do radio there's a certain amount of freedom that when you walk in and sit down and turn the mic on, it's you. It's all you.

Make passionate my sense of hearing.

I see light at the end of the tunnel.

If I worked at White Globe Consulting, I wouldn't be able to do my job. I would spend all day texting the other people in the office, asking them what was going on today and had they heard anything new and what did they think was going to happen. Hmm. Maybe it's a good thing I'm not in an office job.

Each environment is different, each job is different, and each realm of creativity that they give you is different. You try to do the best you can and put as much time into it as you can, but different jobs have different circumstances come about.

Oh, brother wearers of motley, are there not moments when one grows sick of grinning and trembling and the jingling of cap and bells?

The celebrated painter Gainsborough got as much pleasure from seeing violins as from hearing them.

It's funny, because when you work on a set, everyone is watching you. You are being observed by everyone.

We may be in a rapidly evolving international financial system with all the bells and whistles of the so-called new economy. But the old-economy rules of prudence are as formidable as ever. We violate them at our own peril.

I think I certainly know that the space I want to work in is a fearless space.

It's not about money. It's about the people you have, how you're led, and how much you get it.