Ram Charan Quotes

Content-driven films can make money - something that is gripping, is a journey of revelation and is relevant is cinema.

Apart from being interested in a good role, I think it's necessary to make up your mind as to whether it will make a movie that will entertain an audience all over the world and not just in your own backyard.

When you go into the theatre and the lights dim, you want to entertain people from beginning to end. You want them to be swept up in your story, on the edge of their seats, unable to wait to see what happens next, be blown away and afterwards just go, 'Wow!'

If a film is entertaining, it will work irrespective of anything. It should be entertaining and engaging; otherwise, it becomes a documentary.

I have to make sure, when you start seeing a film, you are going to see it until the end. I have to, of course, entertain you a little bit. The real question is how far do I go?

Young adults are honest readers. They won't stay with a book unless they have a reason, so it has to move along.

To me, a good film is one that can keep me engaged for two hours.

Even within escapist cinema, if you find a good story to tell, it will do well.

I feel like movies when they work they'll find an audience.

I don't want people to feel: "Why am I watching this? It's sick and sadistic." I want people to watch and think it's scary but they can't wait to see what happens next. I also wanted to make a movie that was watchable.

Your film really needs to call audiences to theatres.

I understand its fun to watch a web series up close to your chest is something else, but to see it on a bigger screen and to experience the emotions is magical.

The story is important for any movie, for it is in the film industry, the consumer pays the money before he or she gets the product. So, the responsibility of delivering a good product is on us.

I was waiting for a good show on Amazon and 'Paatal Lok' had all of it - good script, story, and cast. It joined all the dots beautifully.

If the entire product is good, then no matter what the language of the film is, people will love it.

When I first began to work in pictures I tried to attract the attention of film critics, but I don't make movies to please them or myself anymore. I look for material that will entertain.

I believe in one thing, and that is content, because if your content is strong, the film will surely be hit at the box office.

Sheesha' is a thriller. It was exciting to play my first double role in the film.

Good films will run, and people will watch it irrespective of whether it is suspense or a comedy.

'Let the Bullets Fly' indeed attracted an audience, but how it did this is also a question for me.

More than anything, I just want people to, like, let themselves be taken on the ride that 'Euphoria' will be over eight episodes and just, like, let it, like, hit them.

You can window-dress and promote a movie as much as you like but if the movie hasn't got substance and isn't an exciting movie, people won't watch it.

For something like 'Line of Duty' to work, it has to be both plausible and unexpected.

Pete Moffat writes crime conspiracy thrillers so beautifully. He goes places other people wouldn't; he is fearless.

A Fantastic Woman' has been seen as very interesting and entertaining. The film has had very good reactions. We are very surprised and delighted how the characters have connected with so many people.