Book Engagement Quotes

I'm always amazed at friends who say they try to read at night in bed but always end up falling asleep. I have the opposite problem. If a book is good I can't go to sleep, and stay up way past my bedtime, hooked on the writing. Is anything better than waking up after a late-night read and diving right back into the plot before you even get out of bed to brush your teeth?

I'm not a massive reader, to be honest. I try and fill my time with other things. But I remember getting halfway through a book once. It was 'The Client' by John Grisham, which was quite interesting.

As an adult, I'll give a writer 50 pages. If the book doesn't interest me in 50 pages, I'll say the heck with it - there are just too many other things to read. A child won't give you 50 pages.

But I too hate long books: the better, the worse. If they're bad they merely make me pant with the effort of holding them up for a few minutes. But if they're good, I turn into a social moron for days, refusing to go out of my room, scowling and growling at interruptions, ignoring weddings and funerals, and making enemies out of friends. I still bear the scars of Middlemarch.

Nobody reads a book to get to the middle.

It's a rare book that wins the battle against drooping eyelids.

There are people out there who will not read books, but somehow they'll read my books.

She can take a year to read something, whereas I like a book that becomes more important in my life that life itself. When I was in the middle of 'Red Storm Rising' by Tom Clancy - which was not selected for the Man Booker shortlist - you could have taken my liver out and fed it to the dog. And I wouldn't have noticed.

Books are defensive, not offensive (unless you're the puzzled adult trying to make the kid with the book interact).

Some books you read. Some books you enjoy. But some books just swallow you up, heart and soul.

The fire of literacy is created by the emotional sparks between a child, a book, and the person reading.

I was engrossed with the book, I was having difficulties with it, and I just didn't notice the years were going by.

When I'm in the middle of a book it can go up from there. When you're putting in those hours, the real world kind of fades and the world you're creating becomes almost more real to you than the outside world.

Elend: I kind of lost track of time… Breeze: For two hours? Elend: There were books involved.

If you truly love a book, you should sleep with it, write in it, read aloud from it, and fill its pages with muffin crumbs.

The real tight interface is between the book and the reader-the world of the book is plugged right into your brain, never mind the [virtual reality] bodysuit.

I'm not a good reader. I had to take remedial reading in school. I was a slow reader and therefore it's tough for me to stay interested in things long enough, I've read, probably, since college maybe 10 books, which is disgusting.

A truly good book attracts very little favor to itself. It is so true that it teaches me better than to read it. I must soon lay it down and commence living on its hint. When I read an indifferent book, it seems the best thing I can do, but the inspiring volume hardly leaves me leisure to finish its latter pages. It is slipping out of my fingers while I read. It creates no atmosphere in which it may be perused, but one in which its teachings may be practiced. It confers on me such wealth that I lay it down with regret. What I began by reading I must finish by acting.

If the book we are reading does not wake us, as with a fist hammering on our skull, why then do we read it?

Rebecca Mead's My Life in Middlemarch is a wise, humane, and delightful study of what some regard as the best novel in English. Mead has discovered an original and highly personal way to make herself an inhabitant both of the book and of George Eliot's imaginary city. Though I have read and taught the book these many years I find myself desiring to go back to it after reading Rebecca Mead's work.

Even today, I hunt for the fabulous books that will change me utterly. I find myself happiest in the middle of a book which I forget that I am reading, but am instead immersed in a made-up life lived at the highest pitch.

The more I like a book, the more slowly I read. this spontaneous talking back to a book is one of the things that makes reading so valuable.

A blurb might bring a reader to a book, but then the book itself has to do the rest of the work.

Nicholson Baker talks about the way in which the most successful nonfiction books are those that can be boiled down into an argument so that everybody can wade in with an opinion without having to undergo the inconvenience of having to read the book itself. The more you can condense it, the better.

The key thing about a book is that you lose yourself in the author's world.