Bruce Campbell Quotes

I've made movies that nobody saw initially, and then, all the sudden, people over the years pick up on it. Like 'Spinal Tap' and 'Princess Bride.'

As a director, it's my job to provoke, and when people decided 'The Room' be called a phenomenon, or whatever you call it, it's fine with me.

Usually, the worst films become cult films.

For whatever reason, every project I do becomes sort of a cult, or a cultish show, you know, like 'Battlestar,' or even a film I did years ago, 'Kalifornia,' people refer to it as a cult film.

Cult movies are basically movies Hollywood missed the first time - that they should have gotten - and then the fans got it and made it successful.

'Clue' was a big flop when it came out, but it became a... It's a movie that almost everyone references with me, now, when I run into people.

I can't stress it enough that we genuinely love 'The Room.' Like I said, I've seen it more than any other movie that's ever been made, and it gets to a point where if a movie is that watchable, when can we just call it a good movie?

'Hook' became a cult classic without all the lore.

'Bubba Ho-Tep' was an accidental story that turned out to be my first film adaptation, and it's still going strong in story and film.

Along with 'Wet Hot American Summer' and 'The Room,' 'Lebowski' belongs in the canon of nouveau cult classics.

'Company' has become a cult film. When people see me at the airport, and when I travel, they call me 'Companywala.'

To be involved with movies that become kind of cult classics... I've been very fortunate. 'The Warriors' is certainly a cult classic, and 'Xanadu' is, to a certain degree, a cult classic as well.

'Can't Stop the Music' has become a cult film. It's kind of shocking to me. People come up to me all the time and say, 'I just saw it!'

'Wet Hot American Summer' was sort of lowbrow genius, you know? But smart in its cultish silliness. It wasn't considered something of great cultural caliber. But like many cult pieces, it sort of became something culturally relevant, which I think is what's so wonderful about it.

After 'The Room' premiered in 2003 - which went exactly as it does in 'The Disaster Artist' - I didn't think it was going to go anywhere. It wasn't a film I wanted to share with people.

The Room' has just been something that has spread for so many years in such an organic way because, it's just people wanting to share it with their friends and take people to the theater to see it.

A cult following is a nice way of saying very few people like you.

I did a film called 'Black Dynamite' that was very, very funny. That seems to be a film that's kind of a cult classic.

I seem to have a knack for picking movies that go on to be cult favorites.

I did sing in another film called 'Empire Records' which is a cult film. 'Grease 2' is also a cult film. You either love it or just think the original was better.

'Street Legal' is like a cult classic. It's pretty cheesy at times, but you learn to embrace it.

The word 'cult' is almost a nice way of saying a lot of people hate you, or have never heard of you. It means someone can come up to me in the street who's really into my stuff, who's seen everything I've done, but the guy standing beside them has no idea who I am. Even in Glasgow. I think that's cult.

I have seen the movie 'Showgirls' over 25 times.

I really like the Chris-R scene and of course the "you are tearing me apart Lisa" scene. The reason I love the Chris-R scene is because we worked really hard to finish it. It's not just that though, it brings people together. Everyone is one the roof together by the end of the scene. You see the perspectives of the different characters. I feel like with all the connections in this scene that the room connects the entire world

I'm still asked a great deal about 'The Wicker Man' because it's become one of the great cult movies of all time. That's the story of my career, really, making cult movies. And I've always said it's the best film I've ever made.