Caitlyn Jenner Quotes

I can't stress it enough that we genuinely love 'The Room.' Like I said, I've seen it more than any other movie that's ever been made, and it gets to a point where if a movie is that watchable, when can we just call it a good movie?

I've made movies that nobody saw initially, and then, all the sudden, people over the years pick up on it. Like 'Spinal Tap' and 'Princess Bride.'

'Clue' was a big flop when it came out, but it became a... It's a movie that almost everyone references with me, now, when I run into people.

'Company' has become a cult film. When people see me at the airport, and when I travel, they call me 'Companywala.'

I have seen the movie 'Showgirls' over 25 times.

To be involved with movies that become kind of cult classics... I've been very fortunate. 'The Warriors' is certainly a cult classic, and 'Xanadu' is, to a certain degree, a cult classic as well.

For whatever reason, every project I do becomes sort of a cult, or a cultish show, you know, like 'Battlestar,' or even a film I did years ago, 'Kalifornia,' people refer to it as a cult film.

I did a film called 'Black Dynamite' that was very, very funny. That seems to be a film that's kind of a cult classic.

Cult movies are basically movies Hollywood missed the first time - that they should have gotten - and then the fans got it and made it successful.

A cult classic is one that has been fully embraced by an alternative audience, not the popular audience.

I did sing in another film called 'Empire Records' which is a cult film. 'Grease 2' is also a cult film. You either love it or just think the original was better.

As a director, it's my job to provoke, and when people decided 'The Room' be called a phenomenon, or whatever you call it, it's fine with me.

Usually, the worst films become cult films.

When they made 'Rocky Horror' in the '70s, they had no idea it would become this 41-year phenomenon that it has become.

After 'The Room' premiered in 2003 - which went exactly as it does in 'The Disaster Artist' - I didn't think it was going to go anywhere. It wasn't a film I wanted to share with people.

'Hook' became a cult classic without all the lore.

'Street Legal' is like a cult classic. It's pretty cheesy at times, but you learn to embrace it.

The Room' has just been something that has spread for so many years in such an organic way because, it's just people wanting to share it with their friends and take people to the theater to see it.

Along with 'Wet Hot American Summer' and 'The Room,' 'Lebowski' belongs in the canon of nouveau cult classics.

I really like the Chris-R scene and of course the "you are tearing me apart Lisa" scene. The reason I love the Chris-R scene is because we worked really hard to finish it. It's not just that though, it brings people together. Everyone is one the roof together by the end of the scene. You see the perspectives of the different characters. I feel like with all the connections in this scene that the room connects the entire world

I'm still asked a great deal about 'The Wicker Man' because it's become one of the great cult movies of all time. That's the story of my career, really, making cult movies. And I've always said it's the best film I've ever made.

A cult following is a nice way of saying very few people like you.

There was a movie called 'Hawk the Slayer' when I was a kid. I think only three people saw it, but me and my brother saw it. I remember when I was a kid thinking that's kind of cool. It was just this sort of action adventure-y sort of thing.

I seem to have a knack for picking movies that go on to be cult favorites.

'Wet Hot American Summer' was sort of lowbrow genius, you know? But smart in its cultish silliness. It wasn't considered something of great cultural caliber. But like many cult pieces, it sort of became something culturally relevant, which I think is what's so wonderful about it.