Artistic Recognition Quotes

The element of heroic maleness had always been present in the concept of the artist as one who rides the winged horse above the clouds beyond the sight of lesser men, a concept seldom applied to those who worked with colours until the nineteenth century. When the inevitable question is asked, "Why are there no great women artists?" it is this dimension of art that is implied. The askers know little of art, but they know the seven wonders of the painting world.

I want to have more original-screenplay Oscars than anybody who's ever lived! So much, I want to have so many that - four is enough. And do it within ten films, all right, so that when I die, they rename the original-screenplay Oscar 'the Quentin.' And everybody's down with that.

For the first time in my career, I'm working in a fine-arts arena, so I'm finally getting some intelligent reviews.

Definitely, it's hard being a young artist and being taken seriously.

I wouldn't say I'm underrated, but more reserved. Only time will tell, but I've been good so far in being consistent and making hit after hit writing for myself and other artists, from rap to R&B, and being able to make those different records.

The trouble with being a ghostwriter or artist is that you must remain rather anonymously without credit. If one wants the credit, one has to cease being a ghost and become a leader or innovator.

Books don't live and die by awards. You don't listen to an Hector Lavoe album because it won some awards.

I think one day I'd like to win an Oscar.

A lot of the most prolific painters died broke and weren't appreciated in their time. I'm trying to remember who exactly I was thinking of - like Rembrandt, van Gogh or Gauguin. Some of those guys, they got whole floors of museums to themselves but weren't really appreciated in their time at all.

We all want recognition and validation to an extent for our art, but greatness as a trade for decency is a risky proposition. In my life, I try to leave the people I encounter with the feeling that they have been respected and treated with warmth and appreciation.

Some critics saw fit to say that I was a great actress. I thought that was a foolish, wicket thing to say because it put such an onus and such a responsibility onto me, which I simply wasn't able to carry.

When I just started my career, of course, I always try to look very good, and I changes the dress all the time on the performance. And people came to me and said, 'Oh, beautiful dress. Your dress is so beautiful, and you look so beautiful.' That's it. And I was so upset nobody saying anything about my singing.

I've been sampled so much and I'm glad it's happened, it's a great compliment.

I always felt like the Academy was very late in acknowledging things. I've seen them do it with hip hop when it should have been acknowledged. It was already penetrating mass levels of culture and radio, and yet they wouldn't give it a proper category.

You never make movies for Oscars.

The eager or dutiful persons who subject themselves to these tidal waves of the classics and the moderns find everything wonderful in an absent-minded way. The wonder washes over them rather than into them, and one of its effects is to make anything shocking or odd suddenly interesting enough to gain a month's celebrity. And so another by-product of our come-one, come-all policy is the tendency to reward cleverness, not art, and to put one more hurdle in the path of the truly original artist.

There’s no “correct path” to becoming a real artist. You might think you’ll gain legitimacy by going to university, getting published, getting signed to a record label. But it’s all bullshit, and it’s all in your head. You’re an artist when you say you are. And you’re a good artist when you make somebody else experience or feel something deep or unexpected.

I start out making my paintings for me. I don't see it as a form of communication. Until, of course, after they are done and I want people to see them. And want them to be recognized. But while I am making them I just try to get lost in them. Kind of like it's a prayer.

I decided to become a painter when my first four paintings where all published and attracted a great deal of interest. I exhibited one of them and it was sold.

'Certifiably Jonathan' contrives crises for its subject - a bid to get his paintings into MOMA, among others.

I actually know the moment I became known. It was at the Cannes Film Festival, when they showed 'The Virgin Spring.' I walked into that theater as one person, and I walked out as another.

I never wanted credit for being a wonderful person or a great human being or looking peculiar. I just wanted credit for the music.

I just want to be successful. I'm not going to sit here and be like, 'I want to win a Grammy' or whatever; if that comes, that's awesome. But I just want to be successful and provide for my whole family and get my family out the hood.

I see little more important to the future of our country and our civilization than the full recognition of the place of the artist.

I look forward to an America which will reward achievement in the arts as we reward achievement in business or statecraft. I look forward to an America which will steadily raise the standards of artistic accomplishment and which will steadily enlarge cultural opportunities for all of our citizens. And I look forward to an America which commands respect throughout the world not only for its strength but for its civilization as well.