My absolute favorite thing about working on 'Liv and Maddie' is my cast and crew. The people that I spend almost every hour of every day with. Your cast has great influence over the quality of your life, and I've been blessed with not just a cast, but a family.
'White Collar' is really a unique family where people kind of all get each other, and they're all on the same page. I was really fortunate because when I got there, I kind of just immediately fit right in with everybody.
When I speak with people who love their jobs and have vital friendships at work, they always talk about how their workgroup is like a family.
Five days a week I drive from our home to the Episcopal Cathedral Center of Los Angeles where I have an office, my computer, and a wonderful sense of community - especially nurtured by the presence of several younger gay men and women who are good friends.
I love the people at my job. I love my boss. I love my camera men, I love my crew - because they all surrounded me with straight love.
Ninety per cent of the crew that work with me are there since my childhood and which is why I do not want to work too much outside - because the people I work with are as important for me as my role.
I really have created a family. I work with the people I love, I travel with them, I make films with them, and I'm in an office with them. So in a weird way - I know I haven't birthed a child - I feel that I'm a part of creating a family. It's a tribe. I love that word.
It was a great way to work. In those days, you had to be there. It was your world. It was your club. Your friends were there, your associates were there, your security was there.
You have to understand that during the course of our show, we were a family for five hours a day, five days a week, maybe four days a week. And we experienced the same things that we experienced in our own family.
I feel genuinely fortunate to work with so many friends and talented people at ESPN, who make every day such fun.
We're a weird bunch at 'Mike & Molly.' We go to work, and we're crazy about each other, and we love where we go to work.
The one thing that people don't get about GE is that, to the people who work here, it's not a company. It's not just a job. You feel like you're part of a 120-year-old ever-growing, ever-improving family.
Work does come home with us, but home also comes to work. Our kids are regulars at Eventbrite's HQ in San Francisco.
I think the best thing that Jonathan and I have done is… having really strong people working with us - our work environment and all of our employees and everybody, we're like one big family.
My brother and sister and I were latchkey kids, with a singer mother and no relationship with our father, and being in a firm is often about filling a void at home. For me, it was like having 50 big brothers.
A job provides so much more than a paycheck. It provides a sense of dignity and belonging. It gives you the opportunity to learn, grow, and be part of a team - or, in my case, part of a band.
I look at my father, who was in many ways an unhappy person, but who, not long before he got sick, said that the greatest source of satisfaction in his life had been going to work in the company of other workers.
The crew are the faces you see every morning and last at night before you go home. I spend more time with those people than I do with my friends and family, so they're forever a part of you and who you become as an actor so I hope I see them again.
Hallmark has been really, really good to me. It is very much like a family. I'm friends with producers here, not because 'maybe if I befriend this person they'll give me a job,' but because they're good humans and we became friends in the process of working together.
All my family worked for Puma. My mother worked there, and my father was the guy that opened and closed up in the evening. We lived in the neighbouring building - just a couple of steps, and I would be in the Puma factory. All 300 people that worked there knew me; it was my adventure playground. I knew everything, even how to make a shoe sole.
In a creative business, if you're happy, it will come out in your work. I don't see how you can be happy if you don't like the people you're working with and if they aren't a joy to have fun with.
There's no denying for me that 'Emmerdale' is an amazing place to work. I've got so much to be grateful for. Over the years it's given me a great sense of purpose and a real sense of belonging.
When you work on a Dick Wolf show, it's as if you've joined a second family.
Williams really does feel like a family, and I have built up very good relationships with people here; in fact, some of my best friends work for Williams. A friendly atmosphere can really help on the track as well because I feel like I can communicate freely with the team.
I wanted to keep working because work was essentially fantastic - you got to be around people, you got to be in a family, and that family changed from job to job. It was like being in the circus.
