Visual Cues Quotes

Whether it's because of how somebody looks or because of what they're wearing, you kind of assess a person in the first five minutes before they even speak.

When I was in the recording studio, I needed to concentrate on what my voice was doing, which is rather difficult if you can't actually see what you are supposed to be singing.

Just hearing somebody's voice in center field, it helps our guards out to know where they need to go, when the screen is coming, when the back door is coming, when the flare is coming. When different things like that happen and we're talking, it helps us all out in the long run.

Don't write anything you can phone. Don't phone anything you can talk. Don't talk anything you can whisper. Don't whisper anything you can smile. Don't smile anything you can nod. Don't nod anything you can wink.

After years of practice, I can walk into a bookstore and understand its layout in a few seconds. I can glance at the spine of a book and make a good guess at its content from a number of signs.

When someone is in our tribe, I think it's particularly easier for us to tell them apart, because we're used to their facial features.

If you are having fun on screen, it shows.

I'm big on facial expressions, and I'm big on mannerisms, which I find to be hilarious.

With the way I dress, I think my personality shows, so I don't always have to talk. Someone can see what I'm wearing, see what socks I'm wearing, and see what my vibe is, what kind of person I am.

Style is not neutral; it gives moral directions.

I think there's a great deal of information you can convey with looks or silence.

In a photograph a person’s eyes tell much, sometimes they tell all.

Love's tongue is in his eyes.

There may be people who try to imitate art when they get dressed and people who just get dressed to cover themselves up, but I guess that both send out messages and communicate their ideas and feelings through their looks.

A sign to me is a one-liner, a symbol is very complex and my house is a series of symbols.

I think I was driven to paint portraits to commit images of friends and family to memory. I have face blindness, and once a face is flattened out, I can remember it better.

I hope people think of me as a bit older. I do have a beard. That makes me look very old.

Our people could not talk with these white-faced men, but they used signs which all people understand.

The two things that hit you when you meet someone are, first, how they're visually put together and then, what they tell you with the tone of their voice - whether or not they're to be taken seriously.

I think people remember pictures not dialogue. That's why I like pictures.

To make yourself understood to people, one must first speak to their eyes

It's in the eyes, mostly. Don't listen just to the other actor's lines. Look at - and listen to - their eyes. That's where the emotion comes through.

There are universal shapes to which everybody is subconsciously conditioned and to which they can respond if their conscious control does not shut them off.

My music confuses people because they think I will sound a certain way because I look a certain way with the dreads.

During the actual filming, I’m not really listening to dialogue. I’m watching to see if the actors are communicating something and expressing something. I’m just watching a conversation. You’re not aware of exactly what people are saying. You are aware of what they are INTENDING and what kind of feeling is going on in that scene.