Second City Quotes

After college, I knew I wanted to work in comedy, so the first thing I did was go to where the comedy was. I moved from Charlottesville to Chicago, because that's where The Second City and Improv Olympics are. You have to go wherever you need to go to study what interests you.

The people of Chicago are a proud people - and for good reason.

I think a lot of studios today are run by women, and we are entering a time when a lot of women have evolved in Second City and Upright Citizens Brigade and wanted to become writers and comedians.

Chicago is home for me.

I always enjoyed writing. I did playlets in high school, I did radio shows in college. That's one of the reasons I went down to Second City, because you could do acting and writing.

There's such a freewheeling nature to 'Second City,' and the greatest thing about 'Second City' was having a sophisticated audience night after night who appreciated what it was. They knew it wasn't all going to be great when you improvised, so they were very forgiving that way.

Chicago is where I have always wanted to be.

I adore Chicago. It is the pulse of America.

Every time I try to set something in Chicago, I get intimidated by 'Augie March.' It's easy to set something in Indianapolis - we don't have 'Augie March' here. But I love writing about Chicago, and I love being there and imagining lives in Chicago. I hope to set something there in the future, but it's intimidating.

I grew up in Chicago and was a huge fan of 'The Second City', so when I moved to L.A., I was looking for anything that resembled that... then I started 'The Groundlings', so I went to a show and it was very much like 'Second City'. I was so impressed that that same night I went backstage and I went up to the funniest person there.

But when I go to Chicago, I know I'm home.

I'm from Chicago and it's a huge influence on me.

When I graduated from college, I moved to New York and started doing improv because I read all about the early 'Saturday Night Live' guys having come through Second City and learning how to improvise, so I wanted to get immediately into that.

I love Chicago - absolutely love Chicago. I mean, I'd much rather go to Chicago and do a play or a musical than New York, honestly. Because just probably for reasons that are obvious to you. It's just a little bit - it's a nicer, easier city.

I had worked for ten years in theater; I had worked at Second City in Chicago. Then I got to Hollywood, and I was like, naively, 'Where's my pilot?'

I met Kevin when I was 19, at a Second City workshop. We were paired up together in the first class I went to. By the end of the class we formed our improv group, and over the next three years we performed leading up to the formation of The Kids in the Hall.

I never looked at my future as comedy. Even at Second City, I always thought of it as acting. I knew I was going to be an actor, financially, emotionally, egotistically. I still don't think I'm in comedy.

I went to Second City, where you learned to make the other actor look good so you looked good and National Lampoon, where you had to create everything out of nothing, and SNL, where you couldn't make any mistakes, and you learned what collaboration was.

My first improv was Second City in Chicago. Before that, I worked at - with a partner, doing comedy sketches.

When I came to Chicago, I didn't even know what improvisation meant, as far as pertaining to comedy. I knew about Second City, but I didn't know what the word 'improvisation' meant.

Out of 30 years of Second City I was probably the third African-American with the main stage cast. I was surprised when I first heard that. I think part of the reason that improvisation has never been popular with African-Americans is that it isn't popular in the inner cities.

In college, I didn't perform so much, but when I graduated is when I discovered Second City. Then I realized, 'Oh, there are people who can focus on comedy and especially improvisational comedy and make a career out of it.'

It scared me to death to think about improv, but I got hired for a year at Second City in Chicago, which made me nervous, but I found I could improvise. Then I was in a group called the Ace Trucking Company, which we'd do, like, a half hour set of material, then open up for improvisation.

Knowing that more people associate Chicago with street violence than generosity is difficult for me because, despite all my proclamations of being from the Bay Area, I have spent much of my life in Chicago. So I have a deep love and a pretty good understanding of the city.

Chicago - it's a mini-New York.