Ultimately, my belief is that the best marketing is creating a product that people are excited to talk about. Period.
A Fantastic Woman' has been seen as very interesting and entertaining. The film has had very good reactions. We are very surprised and delighted how the characters have connected with so many people.
Nowadays, I only review books I really like. It's cowardly, I know, but I figure it's not my job to make people unhappy. I'll leave that to the professionals.
I remember seeing the first LEGO movie, almost skeptically. People were like, 'You should really see it!' And I was like, 'A LEGO movie?' And then, I was like, 'This is really good!'
I used to be one of the lead actors of a theatre group called Hetu when I was in medical school. Prithvi Theatre was our stomping ground. I'd got many positive reviews.
I was confident about the potential of 'Baaghi 2' when I greenlit it, but the final product has blown me away.
I have done performance-based roles earlier, films which revolved around me. 'Kshatriya' was one such solid role. And, at that time, people had written good things about it.
I would really love to go to Thailand as so many people have told me how wonderful it is.
It's really fun to see a movie that you've heard about that's really good.
At the end of the day, all I want is that my films should do well.
If you can pay enough people to buy your .99 ebook and review it positively, and crack one of Amazon's bestseller lists, readers are going to check it out. Especially at a low price point like .99. Customers are suckers for the fallacy that the cream rises to the top.
I am very happy to have debuted in Telugu with a film like 'Guru.'
It's a fantastic review. Sixty percent of the American reviews are sensational, 20% are mixed, not so good.
Sometimes there are films like 'Mr. and Mrs. Smith' which turned out better than it deserved to be, but in the case of 'Edge of Tomorrow,' there was just such enthusiasm from fans.
You build a fan base over time, and they will accept you as long as it's good. Nothing matters as long as something's good. If it's bad, nobody will see it.
I have made a career of flop films. And yet, 90 percent of my films are celebrated.
My victory is when the audience buys a ticket to watch my film. I am extremely thrilled when they give it a thumbs-up.
It's better to do a film that works.
I am hoping good roles will come my way after the success of 'Happy.'
I've never seen a film get away completely unscathed like I have 'Animal Kingdom.' There's not a single bad review that I've read of it yet; all through Sundance, all it got was high praise.
I just want a show that has good content, and I am open to anything on TV.
I feel comfortable in saying that the traction for TotalGuide and Rovi Cloud Services is strong, and I expect it to continue to strengthen.
The initial response to 'Yennai Arindhaal' was that it didn't have all the quintessential commercial elements, though I consider it as my most commercial venture.
I am really happy and ecstatic that 'Grand Masti' has been such a huge success.
I remember the review from Michael Wilmington in Chicago, and Gene Siskel wrote really smart reviews where I thought, "Oh, they totally get what we're attempting to do."
