Music Industry Trends Quotes

I've grown up with my audience; they're my age or older. Not a lot of kids are coming to see me.

Everyone wants to be an arena act, and it's making country music evolve. People are cutting things more for that arena environment. But who's to say that that is a sign of any more of a successful career than what James Taylor has been able to do, when he still comes and plays the Ryman every two years?

A lot of people that buy vinyl today don’t realise that they’re listening to CD masters on vinyl and that’s because the record companies have figured out that people want vinyl, And they're only making CD masters in digital, so all the new products that come out on vinyl are actually CDs on vinyl, which is really nothing but a fashion statement.

One of the central flaws in the state of contemporary music is that the major record companies have failed to incorporate that simple fact into their business plans. They've come into an industry that's based on idiosyncratic artists and tried to erase every idiosyncratic aspect out of it.

Everyone has learned how to monetize music except the music industry.

I came up in a time when Springsteen, the Stones, Dylan, and the Beatles were still dominant. For every magazine cover with a new band, there were five covers with one of those guys.

Record labels today are much less patient: Artists have a bad record, and they're gone.

I paid attention to the music industry and watching a lot of stuff on TV, behind-the-scenes stuff on old DVDs, and paying attention to interviews from artists and rappers and just really watching a lot of stuff as a kid.

The way the music industry is now geared, it's fewer accolades towards new and upcoming acts. New bands offer bright creativity. It's a set format. A venue would rather hire a DJ than a band, and that's a problem.

The ephemeral part of this work is that in music production, the sounds evolve so much faster than it used to, which means that you really have to put in a lot of work and effort in constantly designing the next sound that will move the culture forward.

Music has changed a lot over the past few years so I believe it's necessary to adjust in order to make music the fans want to hear. If I need to release single after single instead of releasing the album, that is what I will do to reacquaint fans with who I am as an artist now.

It's a scary question for a musician or songwriter today - what does the future hold? It is a strange time in the music business too; it feels like we are all in some kind of transitional period, stuck between old technology and new.

I don't want to have that thing where I make an album and then I'm super-constantly present in everyone's life for three years, and then gone for the next three.

For some reason, it seems like pop writers, it's like they just get worse or something over time. And then you're really jealous of movie directors whose careers seem to grow and they'll be 70 years old and still doing these incredible jobs. I'm going to reverse that, I hope.

Today they forget you in five years. They give an artist nowadays four or five years and that's it. Some of them don't have that. They get a couple of releases. If you don't sell two million copies, you're gone, you're out of here.

I really don't think records should be made in the manner where you sit and write, and when you're finished writing, you start recording. That just seems conventional and old-fashioned to me.

I believe the time will come when the whole definition of pop music will change. It will get to the point where a song will not be a good song until it has a high level of creativity in writing and performance. In other words, in order to be popular, songs will have to meet these high standards.

All music industry places are the same, really. They have the same dynamics and the same concerns and the same needs.

I think that people have been claiming hip-hop as being dead since the moment it started.

you know...uh I'm a singer... pop singer... i'm white

I was a fairly good amateur musician, and I was an average professional. But the one thing I saw was that the big band business was fading. So I made an economic decision, and it turned out the best judgment I ever made in my life.

For a while, R&B was going out of style. It was kind of getting kicked to the side. The first year the R&B Album of the Year didn't get on the TV portion of the Grammys is when I got nominated.

A lot of people tend to go into the music industry and be really - what do you call it? - oblivious to everything that comes with it.

I think, basically, the music industry is scattered and in a mess. I think you've got lots of people that are so-called 'experts' that have no idea where it's headed.

There's always going to be people who say, 'This ain't country.' But that's fine; that's how it is. Those same people aren't listening to Sam Hunt, aren't listening to FGL. But obviously, a lot of people are.