Country Music Evolution Quotes

Everyone wants to be an arena act, and it's making country music evolve. People are cutting things more for that arena environment. But who's to say that that is a sign of any more of a successful career than what James Taylor has been able to do, when he still comes and plays the Ryman every two years?

I do think I'm country, but your definition of that word might be different from my definition. In my opinion, country music, the sound of country, has always evolved. But the one thing that has not changed is the story element. And I think country songs are truthful songs about life written by country people.

Going back to the Byrds and 'Sweetheart of the Rodeo,' when country was kind of getting away from the fiddle and steel aspect, it took some rock & rollers to introduce a new generation to it, and it kinda put some things straight.

You seldom hear any young artists in country music.

Dylan's relationship with Johnny Cash was the biggest influence on Nashville in my lifetime - they opened up country music.

With Rascal Flatts, I'm such a fan of them, and I feel like they've been so gracefully relevant through decades of country music.

Country is bringing in a little rock element... a little '80s element. Melody is king now. But its just in the music, its not so much in the songwriting, which is still very basic to the storytelling aspect of it.

I don't think it's changed that much when you go on the principle if Garth introduced more rock into country music, then Florida Georgia Line's gonna introduce more dance and more beat-driven stuff into country music. That's just how it's gonna go. So whatever influences you as a kid, you're gonna put in your music.

There's always going to be people who say, 'This ain't country.' But that's fine; that's how it is. Those same people aren't listening to Sam Hunt, aren't listening to FGL. But obviously, a lot of people are.

[Country Music] is the final destination for many punk rockers [...] Rockabilly is the mid-point and then [they] end up at Country [...] There's purity to that music and I think that appeals to a lot of punk rock people - the precision, the purity, and the directness of Country Music.

Country music... doesn't bend notes in the same way, so I suppose it's very English, really. Even though it's been very Americanized, it feels very close to me, to my roots, so to speak.

Oh, I think country has changed tremendously. I think country has totally changed. Country music when I was a kid was Hank Williams. If you put Hank and Elvis together, there wasn't that musical difference. But as the Beatles showed up and the English invasion, I think country music got pretty far away from rock n' roll.

Country sure has changed in the last 10 years. It was one thing, then it was another. Country has slowly marched toward a rock beat and rock preservation. Country artists of today. Man! That's how I used to sound in the '80s.

I always want to have the traditional country soul while meeting the new standards of country music.

The more country that my music gets, the less it fits into the country world today. It's almost like there needs to be two genres, modern country and... country?

I'm excited to be part of a movement that's progressing country music. There's always gonna be people saying, 'It ain't country anymore,' but I don't get into that whole deal.

I've seen country music go uptown, like we say, and I'm proud I was there when it happened.

You watch the country-music awards that they show on the television, and you see country music has reached about 1985. It's all huge processed drum sounds and chiming chorus guitars and programmed synths bobbling along in the background.

There was a time when country never used to do videos.

That's one wonderful thing about country music - it shifts, ebbs, and flows stylistically, unlike pop music.

Country music is just country. It's going to shift around a little bit, doing some different instrumentations, different production styles. But it will always come back to what you heard at the Opry. Nobody wants it to change.

Each kind of generation of bands forgets how they got here. Waylon Jennings came out and they're like, 'That's not Patsy Cline.' And everyone panicked, like, 'I don't know what happened to country music, but this isn't it.'

When you look around right now, Nashville is kind of going through another changing of guard; you're watching the Martina McBrides and the Faith Hills and all of them that have been the big stars for the last however many years, and the next generation is coming in: Miranda Lambert, Carrie Underwood, those girls.

Radio used to be dominated by Tom Petty and artists like that. If Tom Petty came out today, he'd be played on country radio - all that stuff would. I think the genre has opened itself up to more styles of country, and I think that's a good thing.

Country music has changed tremendously, so what now is considered country was not considered country at that time. We were doing stuff that probably could have been called country music today, but would certainly have not have fit in at that time.