Nina Simone Quotes

I try to write songs. At our concerts, we take the cream of the crop from my back catalogue and I don't know if I could write something now that would replace any of that. We don't lose any of the standards. We have lots of songs in rotation.

I would say, you can never do enough gigs and you can never do enough songs. Make sure that every opportunity you can, play a show and every opportunity you can, write a song.

I had a song called "Folsom Prison Blues" that was a hit just before "I Walk The Line." And the people in Texas heard about it at the state prison and got to writing me letters asking me to come down there. So I responded and then the warden called me and asked if I would come down and do a show for the prisoners in Texas.

Practice? I never practice. I just write songs and take solos.

I love pop music. It's not easy to write a good pop song. It may be easier to put out a fake jazz album, as Sting does from time to time.

When I'm writing [songs], some days the pen just goes. I'm not in charge and I'm almost listening outside of it. That's when I realize that we all have to start looking at life as a gift. It's like listening to a color and believing that these colors have soul mates and once you get them all together the painting is complete.

I would love to hear someone write a song like 'He Stopped Loving Her Today' rather than 'You're hot. I'm hot. We're in a truck.' It's just mind-numbing to me.

At the beginning of my career, I saw an opportunity to forge new ground and focus on songwriting. Not many people were doing that at the time. Pretty much nobody. I thought I could write some really cool songs that would rise above all these dozens of genres that exist within dance music. I'd make it more about the songs. For the last 20 years, I've been sharing stories of my life through music. I've been writing songs about my life.

I try to deliver because I don't believe that people are deliverin' the same quality of albums.

'Unbelievers' was a song that we felt like we could tackle, so that's one of the reasons we wanted to start playing it live, we really believed in that song and we still believe in that song a lot.

It's the singer not the song that makes the music move along.

What you believe one day isn't what you believe the next day and I think every writer secretly believes that they may never be able to do write good song or script again, but they can.

The challenge in writing the songs for The Aristocats truly fell on the animators & director of the film. Robert & I wrote the initial songs for the film, just prior to leaving full-time employment at the Walt Disney Studios. Therefore, some of the songs we wrote for The Aristocats were never used. I believe, therefore, the challenge fell upon the makers of the film to select what songs made the final cut.

Sometimes performing someone else's song is more difficult than writing your own.

I only performed a song so I could not write an essay. I just enjoyed being around bands, and around musicians, and, I didn't want to be the girl who followed the band around. I love singing, I love performing, but it's never been this goal.

People didn't know certain things about me, which... I was out of creative writing class in school, Syracuse University; had a B.A. in English and wanted to write the great American novel but I also loved rock and roll. I was in bar bands all through college, playing fraternities and have to know all the songs in the top 10. That kind of thing.

A bad song, the three best singers in the world cannot save it, and that's the bottom line.

When I was a kid my Dad never let me sing Patsy Cline songs for one simple reason: they've already been done.

A song that sounds simple is just not that easy to write. One of the objectives of this record was to try and write melodies that continue to resonate...Everything that happens to you influences your writing...The writing process for me is pretty much always the same-it's a solitary experience...I have yet to write that one song that defines my career...Beck said he didn't believe in the theory of a song coming through you as if you were an open vessel. I agree with him to a certain extent.

I was very impressed with Hanson's performance. I thought that little drummer was a kick-ass drummer, and uh, that they sang great, I mean I didn't know either, y'know, that these little boys, y'know, I was very impressed. I think they'll probably be around in 20 years writing good songs, and being a great band.

Everybody wants to write a hit song, but in Nashville people want to write the best song, which was my original intention as a singer/songwriter. ... I left because I could no longer make records that sounded less and less like me. I tried to please people instead of believing in my own strength, until the only thing I could do was walk away.

Quite often when I record a song, writing it and making a demo is the big thing and, after that, I think, how do I actually translate this into real life? A lot of the time I think I can't be bothered.

It's difficult to see how it's possible to become immensely valuable by singing what are the most hideous songs.

I wanted to perform, I wanted to write songs, and I wanted to get lots of chicks.

It's a mystical quality of music, that music isn't really concrete, and it's communicating abstractions about imaginary worlds. At least, my music's like that. It's not real. It's unreal, it's all fabrication. To write a song about Obama would suddenly break the spell.