Moving Images Quotes

Film is something that came later into my life.

The desire to discover, the desire to move, to capture the flavor, three concepts that describe the art of photography.

The most important thing is, how can I move forward towards something that I can't articulate, that is new in storytelling with moving images and sound?

We recognized early on that media consumption was evolving and customers were looking for moving images to include as part of their advertising campaigns, website designs and corporate presentations.

I like my visuals to feel like movies.

You gotta understand, when moving images first started, people wanted sound, color, big screen and depth.

I get to collaborate and tell stories with moving photographs.

The very first pieces of film that I did were really graphic designs translated to film. Graphic designs that moved. That was a very new notion.

Film has its own innate poetry.

I cry at films and TV and even adverts.

Motion pictures are of course a different medium of expression than the public speech, the radio, the stage, the novel, or the magazine. But the First Amendment draws no distinction between the various methods of communicating ideas.

I'm not a script composer. I'm a film composer and my brain is excited by images and moving elements.

We live in the world of images, but we also live in the world of the Internet, of zapping and where people move. You can make little videos on your phone. I love very composed images, but the idea of moving pictures with a story, with a plot is quite interesting, too.

I've always said Thomas Edison invented the movie camera to show people killing and kissing.

I do believe motion pictures are the significant art form of our time. And I think the main reason is, they're an art form of movement, as opposed to static art forms of previous times.

I listen to music cinematically. I think about music and how it would make me feel when it's put to an image, a moving image, and I love it.

A film is a film and it has to be good to be inspired. That's number one. It can be Italian, French, German, American. It's moving images in front of you and with a strong director who injects his point of view and artistry.

The art of motion pictures is pictorial and language comes a distant second.

Animated editorial cartoons are completely different from static editorial cartoons.

You try and imagine what it must have been like to first see something moving on a screen. It must have blown your mind, because up to then life went by and there was no way to capture it. You could only get one instant and you didn't get the movement. So it's like having a bit of control over time really, because it's happening in real time or what seems to be real time, and then you can play it backwards and you can watch things again and again.