Intersectional Perspectives Quotes

After the Egyptian and Indian, the Greek and Roman, the Teuton and Mongolian, the Negro is a sort of seventh son, born with a veil, and gifted with second-sight in this American world, - a world which yields him no self-consciousness, but only lets him see himself through the revelation of the other world.

If, in 2014, we're still making 'white savior movies,' then it's just lazy and unfortunate. We've grown up as a country, and cinema should be able to reflect what's true. And what's true is that black people are the center of their own lives and should tell their own stories from their own perspectives.

I think that if there's one key insight science can bring to fiction, it's that fiction - the study of the human condition - needs to broaden its definition of the human condition. Because the human condition isn't immutable and doomed to remain uniform forever.

Black people are not a monolith. Black people have different thoughts. And sometimes people just need to hear the harsh truth - even myself. But you can't manufacture a hard truth and place it on somebody. When Kanye says slavery was a choice, that's not a harsh truth.

When advertisers ignore diversity, it is because they don't think the lives of others matter. There is not enough of a financial imperative for those lives to matter.

My hope is that I will take the good from my experiences and extrapolate them further into areas with which I am unfamiliar. I simply do not know exactly what that difference will be in my judging. But I accept there will be some based on my gender and my Latina heritage.

History is history, and it has to be told, and with 'Mudbound,' it's beautiful because you get to sit with both sides - the white and the black - and see where we meet each other at the end of the day and see where we tear each other apart.

I think 'Dear White People,' the show, is a tremendous artistic achievement. It's always hinting that there is something beyond the pleading and wokeness, something that the show's more militant characters can't see.

I do think, however, that there's a very diverse point of view in the African-American community. There's a lot of different voices that need to be heard. I don't claim and pretend to know the thoughts and opinions and ideas of all African-Americans.

The popularity of '2 Dope Queens' just showed there was like a hunger for new stories because we have alternative comics on our show that wouldn't normally be featured on, like, a white guy's comedy show.

I'm very passionate about political issues, but I also think that listening to people who disagree is extremely important, and I try to build that into my teaching, sometimes by co-teaching with rightwing colleagues.

Labor leaders today have gotten too male, stale and pale.

I have the advantage of many perspectives as someone who has lived in different kinds of communities: as a woman, as someone who previously identified as a lesbian, as someone who is a person of color. I've had a lot of life, so that informs what I do.

My goal for the #1000BlackGirlBooks campaign is to create systemic change across all school systems. I want there to be diverse books that reflect the lives of every person, regardless of whether or not they are in the majority.

Developers need to start moving away from the entitled macho-male power fantasy in their games. They need to recognize that there are wider stories that they can tell.

For African-American people, I am in the business of inventing a reality that gives a different perspective - on history, on crime, on art, on love.

I am not going to say that only people of color can write people of color, because that means only white people can write white people, and that's not OK.

I don't think people have been able to deal with the fact that African American filmmakers can make movies about life and relationships.

One of the reasons why I created the podcast called the 'The Call-In' that we do through Array - because as a black artist, every time I sit down with mainstream media, I'm asked about issues of race, identity and culture. No one asked what they ask my white male counterparts, which is: 'Where do you like to put the camera?'

As a white woman with a privileged education, I'm keenly aware that I founded an organization that can only realize its goal if it enlists many more leaders who share the backgrounds of the students and families we work with.

Books by women, people of color, LGBTQ authors, differently abled people, and non-Americans are a great way of broadening horizons and building empathy.

All too often, white documentary filmmakers are the ones telling the stories of people of color.

The fashion industry needs to breed a whole different way of thinking. We need more diverse people working in all facets of the industry.

I wish to present myself in front of the camera, each time under the features of a different woman. I would like to live and apprehend the problems, the conflicts, the feelings and the impulses of women radically different from me.