The first day, in particular, is always one of those weird days because you get ..., you're thrown into this new trailer - here's your wardrobe.
When I started in WWE, I was a 24-year-old kid and it was all kind of a whirlwind. I never had the chance to step back and look at it from the outside and assess things from a different level.
Understand--it ALWAYS makes sense. Sense can't be avoided. If it first seems to be non-sense, wait: roots will reveal themselves.
One day he just showed up at the zoo, and I actually didn't know who the man was. Everybody was like, 'that's Shaq!' And I'm like 'who's Shaq?'
Scrivener can be a tricky beast to get your head around. When you do, a bell rings, and suddenly it all seems perfectly clear. But to reach that stage you have to understand what it can do, and try it out for yourself. Which can be daunting.
My first ballet class was on a basketball court. I'm in my gym clothes and my socks trying to do this thing called ballet. I didn't know anything about it.
It took me a while to realize that basketball wasn't football.
Shirley Jackson said that a confused reader is an antagonistic reader, and I live by that. It's okay to start anywhere, and to let yourself write a big sloppy overly-detailed first draft. You just jump in, knowing that the water will be cold at first, but no one is making you swim.
When I first moved to L.A., I discovered Roy London. I didn't know anything about the arts, the profession; I had no technique, I knew nothing, I'm fresh from Missouri. I sat in on a few classes, and they just felt a little guru-ish and just didn't feel right to me. Until I met Roy.
Often as a writer, you get your first draft out, and then you look and think, 'Now, what have I got here.' You're really just throwing mud at the wall and then going, 'Oh, there's a pattern there.'
The first season of a show's always a rollercoaster because nobody knows what they're doing. You gotta rush through the season trying to figure out: What is this show? And who are these characters?
I have a confession to make. In the beginning, I did not understand the Kate Moss phenomenon.
To make a discovery is not necessarily the same as to understand a discovery. Not only Planck but also other physicists were intially at a loss as to what the proper context of the new postulate really was.
When you first commence painting everything is a muddle. Even the commonest colors seem to have the devil in them.
I used to go home at night and just shake, because I had no idea that's what acting was gonna be.
My very, very first moment on set on 'Lord of the Rings' in 2000 was me in a lycra suit, six and a half thousand feet up on a mountain in New Zealand, standing in front of 250 crew who were all wondering what I was doing - myself included.
It looked something like a pen wiper and something like a piece of hearth-rug. A second and keener inspection revealed it as a Pekinese puppy.
I had no idea, really, on my first film what I was doing.
