The privilege of a lifetime is beingwho you are.The goal of the hero tripdown to the jewel pointis to find those levels in the psychethat open, open, openand finally open to the mystery of your Selfbeing Buddha consciousnessor the Christ.That's the journey.
Men want a battle to fight, an adventure to live, and a beauty to rescue. That is what is written in their hearts. That is what little boys play at. That is what men's movies are about. You just see it. It is undeniable.
Go abroad in search of monsters to destroy.
The reason it's called 'The Heart of Robin Hood' is that he starts off not having a heart - or certainly not being in contact with it. And through a series of stories, he learns to discover that he has one. He becomes much more dramatic as a character, to be honest, because there's something rather too smug about the endless do-gooder.
Every hero must have the courage to be alone, to take the journey for himself.
Everyone is necessarily the hero of his own life story.
Sometimes misquoted as "Everyone is the hero of their own life story."
I think why people relate to 'Star Wars' is George Lucas is so brilliant at telling these stories that we relate to, but in such a fantastic environment with fantastic characters and things you want to believe in this story.
I think we love the escapism of something like 'Cinderella,' and I think we do with 'Thor.'
Well, I think they're all basically the same story. Every culture in the world has them. When you strip it down and analyze it, it's the young man or girl who goes through a trial or ordeal and hits a very low ebb but manages to get guidance from a Merlin type figure.
'Luke Cage' is about a reluctant superhero who lives in the shadows in Harlem. He has to decide if he's going to step up and fight for the heart of the city and defend the people against Cornell 'Cottonmouth' Stokes, my character, who kinda wants to keep everything in order and intact. I'm the criminal element in the story.
I've always been fond of Tim Drake/Robin. I suppose it's the YA writer in me. I enjoy the intensity of young, smart heroes. I'd love to write him in either graphic or prose form.
I don't want to be Batman. Let Val Kilmer do it. I just want to be Uncle Batman. I have this whole 'warm relationship' plot in my mind. In the final scenes, the new Batmobile breaks down, the new Batman's stranded on the side of the road. We grab our old Batmobile, pick him up and drive away.
We like epic stories, we like adventure, we like epic fights, so if you can mix a great story that can also really teach someone about a different experience, you have the potential to really help people.
Star Wars is a saga of Good vs. Evil, divided into nine parts.
I read a lot of fantasy as a kid. I read 'The Hobbit' and all of the 'Lord of the Rings' books, but I also read a lot of realism like 'The Outsiders.'
Is a novel anything but a trap set for a hero?
You especially want to strive for that nuance on a show like 'The Flash,' which is different from 'Legends' in the sense that it's really, at its heart, a smaller show. It's a more intimate show, in a way.
Christopher Reeve so completely inhabited the character Superman when he was in that costume, and that had such a huge effect on me as a child, watching those films back in the '70s. There was so much of that character that was, for me, Superman.
The hero’s journey always begins with the call. One way or another, a guide must come to say, 'Look, you’re in Sleepy Land. Wake. Come on a trip. There is a whole aspect of your consciousness, your being, that’s not been touched. So you’re at home here? Well, there’s not enough of you there.' And so it starts.
I started studying mythology, just on my own. Joseph Campbell, mysticism.
Fairytales work on two levels. On a conscious level, they are stories of true love and triumph and overcoming difficult odds and so are pleasurable to read. But they work on a deeper and symbolic level in that they play out our universal psychological dramas and hidden desires and fears.
Because in fantasy perhaps more than in any other genre, the character is rewarded for making the right choices and punished for making the bad. Ask Boromir.
I think the great thing about the Jack Ryan films is that the plot and the story always take center stage. If you've done your job as the actor portraying Jack Ryan, you are present enough to make an impact, but you let the story shine.
I would rather portray the hero if it's a really great film. All my favorite fictional film characters are heroes, such as in 'The Last of the Mohicans' and 'Robin Hood.'
Honestly, my character doesn't have much in common with Harry Potter besides the fact that he's an unlikely hero who's thrown into a huge situation.