The idea of a youth-based society that you live in for a certain time and then you no longer live anymore is an interesting idea for a movie, but you need young people that people want to go see.
Who would say no to a film like 'Gunday?'
I don't attribute any 'luck' to 'Bol Bachchan''s success. It was an entertaining commercial film which was bound to do well, and I guess I have the knack of picking up such universally appealing, fun masala movies which turn to be successful.
I think we can fairly conclude that writer-director Joss Whedon didn't make 'The Avengers' for me.
The words "Kiss Kiss Bang Bang" which I saw on an Italian movie poster, are perhaps the briefest statement imaginable of the basic appeal of movies
I think that because most films where there's a teenager, it's aimed at a teenage audience. Restless is - I wouldn't classify it as a teen film, strictly, but it's definitely a film that appeals to young people, but also gives them credit for their complexity.
The voice-over world has changed radically in the time that I've been in it. It used to be this rather small, select group of people who did 90 percent of the work. Now it's kind of the reverse: 90 percent of the work is done by this very broad mix of people all over the country, and the guys who used to be the go-to guys are a much smaller percentage now. But there was this massive interest in voice-over as well as in the story, so I think that also added to the film's appeal.
Picking up 'A Gentleman' was pretty easy. It had everything that I like watching in a film. And it has everything that audiences like to see me doing.
I don't consider myself an image-driven actor. I believe audiences come to watch my films because they are entertaining and not because of my image.
The large ensemble cast and the fact that it was being shot in New York, combined with a lot of strong positive images as far as African Americans are concerned, really turned me on to The Best Man.
I think 'NH10' could have been done equally well by anybody else, and it's not a 'female-centric' or 'male-centric' film. It's the story that will appeal to the audience.
Three Days of the Condor is still an interesting film to watch not because it's political. It happens to be political. But that's not why the sales of the DVDs are as high as they are. It's because it's an entertaining thriller. In my opinion, Tootsie is a very political movie but truck drivers can go and laugh at it.
To make a movie, and we can call it a movie or we can call it a piece of art, to make a movie that has that much mass appeal what it is? What is it that makes kids in China want to see that movie [ 'Avatar'] and makes my dad want to see that movie.
Director Aji John has a style of filmmaking that will surely appeal to all.
I love the idea of making movies that kids and adults can go to together and both get something out of it, and not just, 'Oh, I've got to take my kid to the movie because they want to see the next, you know, 'Hannah Montana' movie or whatever.'
You can only see 'Star Wars' for the first time once, and people are watching it again and again and again, and it's a testament to the strength beyond the plot twists that it has. The narrative strength that it has is that it can be enjoyed even though you know the biggest plot elements in it.
One of the head guys at Disney categorically said to me, 'We don't want to make children's films any more. We want to make films that are going to appeal to all quadrants.' Hence you have films like 'Shrek' and all the Pixar stuff, which is designed to suit everybody.
Most of my movies have been concept based and aimed at a certain audience, but I always wanted to do a film that catered to all.
I love that in this movie [Everybody Loves Somebody], you almost want to go and hang out with this family.
Because of the incredible reputation I have, people find me exciting to watch on film.
It's always hard when you make a movie that's fundamentally about kids for adults. How do you make people aware of who the adult cast is without making them feel that the adults are the center of it? You don't want to make it misleading, but at the same time you want to make it appealing.
That for me is what intrigues me the most about feature films. It's not like the little kind of esoteric projects that you and your friends get but how do you make something that has a universal appeal. Those are the movies that intrigue me the most.
The dream was to not only make a good-looking film that engaged, but also had the DNA of the show so the fans would love it and also as important had the opportunity to cross over out of the fans because of the price-point. You make a film that's 60 million dollars you can't just appeal to musical theater fans.
I would have to say I might do some stuff, but it's the film that's appealing. I was raised on film. My musical experience is all via film, it's not from classical music.
I am a fan of the Coen brothers. I'm not a fanatic. I'm a big admirer. They create unique worlds, and there is a real atmosphere to their films. Not everyone can get that. That's a massive part of their appeal: you can recognise them. Like all the great directors or artists, you know it when you see it.
