Mia Wasikowska Quotes

I think that young people understand me perfectly. I think that's the luckiest thing about my career, that I get older and they get younger, and it didn't stop with my generation.

I keep very close in touch with the fans - to see what they like. I'm very in touch with my audience; I get older and they get younger, which I think is the ultimate compliment. I think hitchhiking brought a few of them out! Even though all young people have never hitchhiked, all people my age did at one point in their life, they just don't do it now.

I think in the industry we're in and the type of audience we have, we're never going to escape the idea of being young. Which I don't mind myself. I mean, who wants to grow up anyway? I don't want to grow up.

In thinking about 'depressing movies,' many people don't realize that all bad movies are depressing, and no good movies are.

People are more twisted than people think.

Life's complicated and people do things for a lot of reasons. I think if you live in a black-and-white world, you're gonna suffer a lot. I used to be like that. But I don't believe that anymore.

I love movies that ask big questions but don't necessarily answer everything. I like people walking out thinking about something.

Where I think Milo [Yiannopoulos] ran into trouble -when word spread that Milo had been invited to be the keynote speaker at Conservative Political Action Conference. I think CPAC, by inviting Milo, was an attempt to reach out to Millennials. I mean, they know. I know plenty of young people that think Milo is great, love Milo, admire Milo, think he's courageous doing what he does.

In the '70s, everybody thought drugs were just good times. People didn't really know about drug addiction, or that such a thing existed. When I grew up in the '70s I thought you had to take drugs. It was almost like I didn't think you had a choice.

I'm suspicious of too much certainty in the pursuit of understanding just because I think people are limited in their understanding.

People talk about how wonderful the world seems to children, and that's true enough. But children think they will grow into it and understand it, and I know very well that I will not, and would not if I had a dozen lives.

I think there's an appetite for seriousness. Seriousness is voluptuous, and very few people have allowed themselves the luxury of it.

I think certain people are the way they are for certain reasons that we can't necessarily judge without knowing.

It's just people who grew up in that time are suddenly old enough to be creators themselves, but I think they have a little perspective. I'm 40 now, and I have children of my own. Before I forget my own childhood completely, I want to take some time to take a look at the '80s and think back.

The way we still essentializ, we're constantly essentializing people as merely poor, or merely other, and in the end you can't have a relationship with people. I think the biggest job of adulthood is to learn to imagine other people complexly.

I think people when they think of comedic actors they forget that they are people with a point of view and experiences and depth.

I think you just have to be realistic to what the reality is, the way people experience movies.

I don't think meeting people that I've done pictures of spoils it at all because I like the really human sides of people. To meet them and see that they're complicated and weird or shy or any of those things sort of makes it even better - to know that they can rise above that and make something great.

I wouldn't like to live in a world where everything's as cut-and-dried as most people think it is

I use 'wicked' all the time! It's part of my slang! When something's really rad, I'm like, 'That's wicked.' It has many meanings but worldwide, it seems like young people think it alludes to being either the naughtier side of you, or the trendier, cool side of you. I like it either way.

I don't think it's always a sign of respect for persons (inside or outside of fiction) to pretend to be able to represent, to have access to, their multi-dimensionality at every moment. That doesn't imply people aren't multi-dimensional.

It is an evil time but it is a complex time because we do not have uniforms standing in front of us. Instead, we have people in disguise. It is brutal. This ISIS thing - it is something we are going to devote a lot of energy to it. I think we are going to be very successful.

Tohru: Shigure is always smiling. But, I wonder if I gave him some problems with my request. Yuki: The only ones who can truly understand what Shigure is thinking is Hatori and... a few other people. Someone has said this before. It is said that he is like a "tide..." A tide that carries you away when you get too close to it. The tide touches your feet... But when you reach down to touch it, it will have already departed. It is within your reach, yet you may never catch it.

Alice Cooper's weirdnesses must really make the kids feel violent. These kids are like my sister, young people of 14 or so who've come to enjoy themselves. So you put things like that in front of them, and I don't think it's right.

I think I missed all of the wonderful things ... I missed the control that you have in film, and I missed getting it right, really getting it right, the way you hope people will see it. All of the things that people love about theater - the fact that it changes every night and that it's so spontaneous - all of those things just frighten me.