Fashion Photography Quotes

Throughout high school, I was obsessed with magazines. I used to just comb through them and plaster things on my wall.

Modeling for a year taught me a lot. I got very involved in the fashion industry and met a bunch of people who I admired.

I'm a really visual artist, and I love writing treatments for music videos, photo shoots, fashion, and all the visual parts that go along with making an album.

Liberman said to me, 'I must cut back on the work you do for Vogue. The editors don't like it. They say the photographs burn on the page. After some years, I began to understand that what they wanted of me was simply a nice, sweet, clean-looking image of a lovely young woman.

Before I started my modeling career at 20, I used to replay fashion show videos on-line and study how famous models walk and pose on runways.

People often say, 'You don't go to fashion shows? What kind of photographer are you? What the hell is the wrong with you, man?' But that's what I need in order to be who I am.

A career high was when I did a cover for 'W Magazine's July issue with Steven Meisel. So few girls shoot with Meisel in their career, and a lot of people had told me I would never achieve that, so it was a dream come true.

'Elle' is such an iconic magazine, and the intersection of fashion and music has always been something that fascinates me.

I did a lot of lingerie modelling, like, for plus-size, like Macy's and Dillard's and Bloomingdale's. I was, like, on a billboard in New York one time in, like, a bra and underwear. Yeah.

The reason I did fashion was it was the only way to get paid to do anything creative. You couldn't support yourself as an 'artist' - I hate that word. The only way you could be 'arty' was as a fashion photographer, because it still had a certain amount of integrity involved.

Well, in brief, I was discovered by a lady called Beth Boldt. She had also been a model. She used to take pictures of the girls she found, and she took a picture of me one day in my school uniform, and it all kind of started from there.

It's funny because every time I go to a shoot, and I have clothes on, they inevitably come off. I just did one recently and the stylist was like, "So..." and you just know that they are going to get to the point where they say "Can you take your clothes off?"

I admired the work of photographers like Beaton, Penn, and Avedon as much as I respected the grittier photographers such as Robert Frank. But in the same way that I had to find my own way of reportage, I had to find my own form of glamour.

Looking back, I didn't have the patience to work in fashion. I like women so much, but I was never qualified to torture them in photo shoots. You have to be really tough and brutal.

I do feel that I'm talking to someone who's in a totally different place from where I was when I started modeling. I was fortunate enough to have the wonderful designers and amazing photographers around me, and editors that I knew, and if I wanted to ask a question, I asked them. So that gap has broadened a bit.

I started being a photographer because I liked fashion. I liked the idea of dressing up and changing my look. I got earrings, dyed my hair. I would dress like a fashion photo.

I used to read a lot of fashion magazines: my favourite was 'Nylon.' I used to cut out all the pictures from magazines, and I had this book where I would keep all of the stuff that inspired me.

[There is] a breed of fashion models

I was sitting at home one day and I got a call that Riccardo Tisci was considering me for the face of the Givenchy Spring/Summer 2014 campaign, and I said, "Are you kidding?" and that was the end of the conversation. I'm a really big fan.

A fashion photographer is nothing without clothes and hair and makeup. And when I speak to other photographers, a lot of them can't reference a picture by the designer. Me, I say, 'The Balenciaga.' And I go to the shows. I feel like it's my business.

One of my favorite poses was when working with Steven Meisel. It was one of my first photo shoots with him, and we were trying to get the cover of Italian 'Vogue.' Then, I literally took my Balenciaga hat, pulled it down, and gave a rolling-eye, 'ugh' face, crossed legs on the floor. And lo and behold, that was the cover of Italian 'Vogue.'

Fashion is really a place where every other industry connects, whether it's music or acting. At the end of the day, everyone is going to walk the red carpet and be interested in the fashion side of it. I think that's really cool because as a model, you get to connect with a lot of different worlds.

I suppose I have stopped modeling officially. I've not done any for a good long while now. I think it was four years ago when my feelings were changing towards the industry. I didn't hate it, but I was yearning to do something different. I was on a gradient. It was a gradual thing.

I watched 'Lagerfeld Confidential,' which was such an insight into the daily life of a maverick designer.